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The Courts

Journal: Is RIAA out of touch with music fans? Ivory Towers maybe?

Journal by Mr.Fork
The recent conviction of RIAA vs. Jammie Thomas trial highlights the fact just how out of touch RIAA and the music labels are with their music fans. I could highlight the fact that the sole reason for her loss in court was her poor defence (highlights that the poor really don't have a chance in court - another issue). But this lady owned THOUSANDS of music CD's. Not a couple, THOUSANDS. She was a music fan. And like most music fans, they embrace it even with technology.

Music labels are coming to a hard lesson that individual recorded media is going the way of the dodo. CD sales are dropping BECAUSE online sales are increasing. No different than when Cassette sales plummeted when CD's went on sale. RIAA doesn't highlight that fact.

Artists are now in the drivers seat - no need for distribution of record labels, shoddy and shitty deals for them - they now have the power to sell directly to their fans. Radiohead's recent release of their new album 'In Rainbows' online highlights that fact. Prince's recent give-away of music - all are indicating that change is a-foot.

Now the question is - what was RIAA thinking with all of these court actions? Is it gaining the industry and labels respect? Actually, I think its forcing a lot of us to go online and hurt them. Purposefully. I haven't bought an album since they started this who debacle for that same fact. I hate RIAA for biting the hands that feed them - the music fans. In the end, with more music lovers going digital, the record labels could be a thing of the past in 5 years. That will be the true outcome of RIAA's action.
Movies

Journal: What makes a good movie? It starts with leadership.

Journal by Mr.Fork
Every once in a while, we get a fantastic movie made that completely knocks our socks off. How did they do it? What was so special about this particular cast and support crew that made them click, work well, and then take the vision of the script and put it onto film. Why do we see so many crappy movies made with good casts and outstanding directors? The trouble it seems, it starts with the script but ends with the director.

I consider myself a grounded movie fan. I enjoy all varisites: drama, sci-fi, westerns, documentaries, historicals, comedies, and in particular indie films from abroad. If its well made and it does its job of telling a story I find film watching an enjoyable activity. I do have high standards for films that I expect which has let me to start investigating how are films successful.

Take a movie like Star Wars. Written and directed by George Lucas. His vision was easily captured as the director because he wrote it. In addition, John Williams musical score, casting directors, sound editors, and finally the brilliant editing from T.M. Christopher and Paul Hirsch. George had a hand in every aspect here to ensure his vision was captured and then transferred to film. But was that enough? Some think movies have to meet two key criteria in order to become hits and classics:

a) Movie is timeless - script elements don't refer to current cultural icon elements that would become unknown in 15-20 years. You could watch it today, and watch it again in 40 years and the story holds its own without the need of understanding who is 'Barney the Purple Dinosaur.'

b) It breaks new ground in how it is presented: Star Wars, Memento, The Matrix, Pulp Fiction, Terminator, and Fight Club. Each of these films did something different that had a direct impact on how the story was delivered and it set the bar on a style that was unique to itself.

Next film, Crash by Paul Haggis - both directed and written. I also learned that he had a heavy hand in the editing and other aspects of the film, especially casting of the roles. He also had a great working relationship with the films cinematographer J. Michael Muro. Editor Hughes Winborne also came to his prime during this film under Paul's leadership. I'm finding the films success depends on the director's leadership, especially if they are both the writer and director. Did you know Paul also helped write Million Dollar Baby and Letters from Iwo Jima? One a best picture Oscar winner and another nominee? What was it about those films that helped capture the spirit? If asked, any actor would work with Paul in a second - his supportive and coach-minded approach to films makes those who work with him appreciate his eye and talent in the industry.

A movie needs various elements to be successful, but it requires leadership for it to flow. A poor script would never be accepted by a director without his/her ability to see the vision clearly. Films like Eragon are an example of how poor leadership yet a brilliant story can fall flat on its face - the script was written by people who had no business writing it, let alone directing it. But without that leadership from the director to make this movie flow, editing teams work well together, ownership of the script to make it great, and finding the right people to give strong sound and muscial scores, a film will be a lot less of what it could be. Those that are great, you only have to look at the chair that says 'director' to understand why it is. Strange enough through their leadership, we find that it's not that they always make movies right, they tend to do the right movie.

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