An anonymous reader notes an article up at IEEE Spectrum outlining the history and dangers of the accelerating tendency of music producers to increase the loudness and reduce the dynamic range of CDs. "The loudness war, what many audiophiles refer to as an assault on music (and ears), has been an open secret of the recording industry for nearly the past two decades and has garnered more attention in recent years as CDs have pushed the limits of loudness thanks to advances in digital technology. The 'war' refers to the competition among record companies to make louder and louder albums by compressing the dynamic range. But the loudness war could be doing more than simply pumping up the volume and angering aficionados — it could be responsible for halting technological advances in sound quality for years to come... From the mid 1980s to now, the average loudness of CDs increased by a factor of 10, and the peaks of songs are now one-tenth of what they used to be."

Mike writes "Will Wright writes in Wired Magazine, primarily centering his focus on imagination, how it affects the way we play games, and how it is affected in turn by the games we play. From the article: 'Games cultivate - and exploit - possibility space better than any other medium. In linear storytelling, we can only imagine the possibility space that surrounds the narrative: What if Luke had joined the Dark Side? What if Neo isn't the One? In interactive media, we can explore it.'"

Slashback tonight brings some corrections, clarifications, and updates to previous Slashdot stories, including Enigma security concerns, German ISP targets net companies "free lunch", Total Information Awareness program lives on, Higgins takes on Microsoft, Google answers analyst concerns, Patriot Act provision not just for terrorists, and Java 4K game contest submissions available -- Read on for details.