mbone writes "Ever wonder how Jimi Hendrix would cover Lady Gaga? Whether you do or not [I'm guessing not], you may be about to find out. Writing for Wired, Eliot Van Buskirk describes North Carolina's Zenph Sound Innovations, which takes existing recordings of musicians (deceased, for now) and models their 'musical personalities' to create new recordings, apparently to critical acclaim (PDF). The company has raised $10.7 million in funding to pursue their business plan, and hopes to branch out into, among other things, software that would let musicians jam with virtual versions of famous musicians. This work unites music with the very similar trend going on in the movies — Tron 2.0, for example, will clone the young Jeff Bridges. If this goes on, will the major labels and studios actually need musicians and actors? In the future, it could be harder to make money playing guitar with all of the competition from dead or retired artists."

An anonymous reader writes "FSF's John Sullivan launches the Defective by Design campaign and petition to rain on Steve's parade, barely minutes out of the starting gate. 'This is a huge step backward in the history of computing,' said FSF's Holmes Wilson, 'If the first personal computers required permission from the manufacturer for each new program or new feature, the history of computing would be as dismally totalitarian as the milieu in Apple's famous Super Bowl ad.' The iPad has DRM writ large: you can only install what Apple says you may, and 'computing' goes consumer mainstream — no more twiddling, just sit back, spend your money, and watch the show — while we allow you to." What is clear is that the rise of the App Store removes control of the computer from the user. It makes me wonder what the next generation of OS X will look like.