... but I thought Bradley Manning was a US citizen?

My very next statement was actually part of the background for the point I was actually making, which was at the end of my post (did you actually read that far?).

why people get quite so angry when the record companies insult our intelligence with this sort of BS.

This statement seems to be as naive as a lot of the artists are that sign these contracts.

You appear to come from a world where, before joining a band, artists will have already obtained years of experience in contract law, or have amassed the funds to pay for a lawyer with such experience.

In the world I live in, on one side there are artists who are often quite young but have a talent for creating music and on the other side, are experienced professionals who are very talented at dealing with such artists and getting the best deal possible. In my world, the professionals are paid by record companies and so, irrespective of what they may tell the artists, that is where their loyalties lie.

Of course they tell the artists that the contract will bring money and other benefits, as otherwise, as you point out, the artist is less likely to sign. What they keep hidden, is that the money and benefits will be mainly going to the record company.

Now if the record companies were completely honest about this and explained to everyone, including the media and politicians that they lobby for ever more lucrative laws to be passed, then I for one would have far less of a problem. But while they continue to churn out the same old BS year in and year out and expect that I am stupid enough to fall for it, then I will continue to be pissed off by them and those that seem to fall for their spin.

Yes, I have been a freeloader and a parasite for years, long before the Internet turned up in fact. Many a time I would sit listening to the radio and not pay a penny for the privilege. Since a lot of my listening was on the BBC, I wouldn't even have to listen to some boring adverts to somehow atone for my sins.

Of course I would occasionally hear something I liked enough to go out and buy a CD.

I was aware that in doing so I was most likely supporting the operations of a record company that, due to some one-sided contract they had convinced them to sign, was in the process of extorting work from the artist involved, but it was the only way I could get access to the music, to play where and when I wanted to listen to it.

Sometimes I would find that I had effectively paid well over the odds for a single, as the rest of the stuff on the CD was just filler. Occasionally however, I would find that I actually liked everything on the CD and would look out for other stuff by the same artist. I might then check if they were playing live somewhere nearby and get tickets to their concerts.

Now I can no longer listen to the radio at work without paying the PRS a licence fee to do so http://www.prsformusic.com/users/businessesandliveevents/musicforbusinesses/officesandfactories/Pages/officesfactories.aspx. I can listen to my MP3 player though, but the question is where to get the content?

I could go on iTunes and randomly buy loads of tracks in the hope that some of them might be something I actually like and that the DRM will allow me to play it where and when I choose, or I could go over to the dark side and download stuff for free.

Of course the end result would be the same as 20 years or so ago; I would be sitting, listening to free music and occasionally finding something that makes me want to go and see the artist live, but somehow with all the advances we have made in the meantime, what I am doing no longer supports the record companies and may well be illegal.

I think the misunderstanding might be yours.

Often once the artist (who is neither an experienced contract lawyer nor someone who has access to, or the money to pay for such expertise), has signed an extremely one-sided contract with the record company (that has both the access and the money) a copyright no longer belongs to the artist. In a lot of cases, neither does control over their artistic careers.

The record company's spin when it comes to online "piracy" is that it is threatening the livelihoods of the artists, whereas it is in fact far more likely that the artists themselves could survive perfectly well in the Internet age, but that the future for the companies is far less certain.

Couple this spin with the fact that the artists' livelihoods are far more under threat from the record companies themselves http://www.gerryhemingway.com/piracy.html, and you will begin to see why people get quite so angry when the record companies insult our intelligence with this sort of BS.

"when certain patterns of light are shone upon it" surely? http://www.verb2verbe.com/conjugation/english-verb/shine.aspx

A major part of the problem with speed limits is that they are set at one speed to cover all conditions and times of day and then they are enforced irrespective of the context. This in turn engenders a contempt for speed limits in general, which leads to people ignoring the speed limit where they really shouldn't.

This is a real world aspect that is never considered by those setting the rules

That's fine, as long as no one can read your profile data, they can't misuse it.

Having said that though, if no one can read it, its not going to be very useful in a social network site where people being able to read it is pretty much the point.

If the project does work in the way you suggest, this would mean that the millions of people who currently use Facebook would have to be capable of setting up their own, always on servers and maintaining their own copy of the project.

That might be fine for you and me, but the most likely scenario is that some more technically able people will set up severs and offer to host other (less able?) peoples' profiles. If this is the case, who are these people and can they be trusted with the data any more than Facebook?

I'm less worried about who might see the data in transmission than I am about who gets access to it and the various copies shared with my friends. Unless I host my own profile and that of everyone I allow access to my profile, there will be people with copies of my profile data on their servers.

How do I know who those people are and how do I control what they do with the copies of my data they now have?

I agree, but the message that the article seems to suggest is that it is only Facebook that we need to worry about and if only your data was being looked after by someone else, using free, open source software, that the problems with regards to data security go away.

Not only does this seem to miss the point, but ignores the fact that, should you wish to delete your profile using the new improved system, rather than go to one centralised point, it is likely that you would have to track down all the copies shared with all the servers that host your friends' accounts.