Is "Trouble Man" by Marvin Gaye in the same way that "Blurred Lines" is by Marvin Gaye?

Yes. Yes it is.

Australia has lots of weird animals. Hell, they've got moths down there that are as big as cocker spaniels. Animals that look like Jim Henson rejects. They've got freakin' yowies down there that make Sasquatch look like Pee-Wee Herman. I didn't actually see a yowie, but after I saw something that looked like a three-way cross between a rat, a jackrabbit and Dwayne Johnson, I don't doubt for a second that they exist. I went there a few years ago and visited a huge national park and it was like Land of the Lost.

I mean, it's a nice place. Nice people. They find out you're from Chicago and you won't have to pay for another drink. Great looking women. Good food. If it wasn't for the annoying accents, you'd think you were somewhere on the West Coast. But the wildlife, man. Way too spooky for me.

When net neutrality splits the Comcast network from the Comcast/NBC/Universal content, and Netflix has to compete for bandwidth on a level playing field, the money to create original content is going to dry up quickly.

Don't you have that exactly backwards? "Net Neutrality" has been the default. The new neutrality laws don't create a level playing field, they preserve it. Why would Net Neutrality and having Comcast separated from the content creators make it harder for Netflix? They're already paying for bandwidth. And Netflix users are already paying for bandwidth. And with the incestuous relationship severed, what would Comcast's incentive to screw with Netflix be?

Or do you believe we've reached peak bandwidth?

Oh shit. I just realized I made a grievous error, in attributing the "Trouble Man" soundtrack to Curtis Mayfield instead of its true creator, Marvin Gaye. Curtis Mayfield did the soundtrack for "Superfly" (which by the way, is also unavailable to stream from Netflix, those bastards). If you are unfamiliar with the Trouble Man soundtrack, go check it out on Youtube right now. You will come away understanding why Pharrell Williams is a punk ripoff.

I just stuck myself in the leg with a pen knife to atone for this terrible mis-attribution.

Windows has had IPv6 stacks since Windows 95 and Microsoft even started supplying them as of 98.

IPSec is perfectly usable.

Telebit demonstrated transparent routing (ie: total invisibility of internal networks without loss of connectivity) in 1996.

IPv6 has a vastly simpler header, which means a vastly simpler stack. This means fewer defects, greater robustness and easier testing. It also means a much smaller stack, lower latency and fewer corner cases.

IPv6 is secure by design. IPv4 isn't secure and there is nothing you can design to make it so.

It's probably a good thing that companies like Netflix are making good original programming, but I've noticed that their catalog of classic films has shrunk significantly.

What I really want is a service like Netflix that is more Spotify-like, with an enormous catalog of old films, classic foreign films, art films, shorts, animation, etc.

I guess the fact that copyright trolls are scrambling to take old movies out of the public domain and congress has seen fit to extend copyright to ridiculous lengths makes that a problem. So even though I subscribe to Netflix, I find myself looking to torrent sites and the Internet Archive to scratch my film noir, King Vidor, Vittorio De Sica and Busby Berkely itch. Because sometimes Jack Lemmon and Catherine Deneuve in "The April Fools" or Lee J Cobb in John Boorman's "Point Blank" is just what the movie doctor ordered. Sometimes, a creepy-as-hell Richard Widmark in the 1953 Sam Fuller classic, "Pickup on South Street" is preferable to watching Ryan Gosling try to create an expression on his face.

Hell, a little while ago, I just wanted to sit back and enjoy the 1973 blaxploitation classic, "The Mack" and learned that Netflix doesn't have it available for streaming (but you can get a DVD if you still use that legacy format). I mean, what the fuck. Who's gonna mess with physical media and snail mail just to watch a movie? Not only that, but they don't carry "Trouble Man" at all, and that has one of the greatest soundtracks ever by Curtis Mayfield.

In case you aren't familiar with cinematic masterpiece "The Mack", here's the scene where Goldy and Pretty Tony face off. Check the very young Richard Pryor: https://youtu.be/sdR_t5nsZqI

I'm spoiled because back in my university days, I worked as a projectionist at a revival house for seven years and got the most thorough education in film history one could ever hope for. But some of you younger folks might not know what came before The Avengers and Fast and Furious 7, and that makes me sad. Hell, the 1970s were a veritable golden age for independent films and hardly anybody gets to see those movies today. Even the "classic movie" channels on cable only play the same top forty old movies over and over again, never digging deep into back catalogs. There is so much cinema to be discovered. Don't fear the black and white or silent.

IPv6 would help both enormously. Lower latency on routing means faster responses.

IP Mobility means users can move between ISPs without posts breaking, losing responses to queries, losing hangout or other chat service connections, or having to continually re-authenticate.

Autoconfiguration means both can add servers just by switching the new machines on.

Because IPv4 has no native security, it's vulnerable to a much wider range of attacks and there's nothing the vendors can do about them.

Each level is given the parent's prefix plus one or two bytes. Yes, you can announce that and it is easily summarized.

Anycast tells you what services are on what IP. There are other service discovery protocols, but anycast was designed specifically for IPv6 bootstrapping. It's very simple. Multicast out a request for who runs a service, the machine with the service unicasts back that it does.

Dynamic DNS lets you tell the DNS server who lives at what IP.

IPv6 used to have other features - being able to move from one network to another without dropping a connection (and sometimes without dropping a packet), for example. Extended headers were actually used to add features to the protocol on-the-fly. Packet fragmentation was eliminated by having per-connection MTUs. All routing was hierarchical, requiring routers to examine at most three bytes. Encryption was mandated, ad-hoc unless otherwise specified. Between the ISPs, the NAT-is-all-you-need lobbyists and the NSA, most of the neat stuff got ripped out.

IPv6 still does far, far more than just add addresses and simplify routing (reducing latency and reducing the memory requirements of routers), but it has been watered down repeatedly by people with an active interest in everyone else being able to do less than them.

I say roll back the protocol definition to where the neat stuff existed and let the security agencies stew.

Sooo true. My first car was a 1976 Buick Century with 231 cc V6 engine, normally aspirated. The engine wasn't half-bad -- this was before emissions controls other than a PCV, EGR and catalytic converters so it *was* simple to work on -- but in every other respect it was dreadful by modern standards. 105 horsepower to move 3800+ pounds equals 0-60 in 17 seconds and 15 miles to the gallon, baby.

But aside from power to weight ratios, the thing which really sucked about old cars was the suspension and handling. Every time I see a car chase in a movie from the 1970s I laugh because I *remember* driving cars like that. By modern standards they cornered like inebriated hippos on roller skates.

Why don't the automakers just seek refuge under the DMCA from all those evil automobile hackers? Clearly, figuring out how your car works is a direct attack on the very hard work and property of those automakers.

Time to pass a bill state by state. I'm the sure the invisible hand of the free market will line all the right politicians' pockets to rush those through. Hopefully someday we won't be able to own our cars and we can go back to the Ma Bell days when every phone was rented.

Look you ignorant cunt I've already fucking told you how she acquired the games on her account.

Do you need to borrow $5 so you can buy a game on Steam for your "niece"?

Let me know and I'll transfer $5 into your Steam wallet so you (I mean your "niece") can design hats for your (I mean, "her") TF2 character.

Bethesda then has the ability to take the $60 per copy they made on release day and subsequent months and use accounting to allot so much $$$$ per copy sold to cover the cost of services that THEY PROMISED ON THE BOX as part of the features of the game. In paying good money for the game on release, by extension,

It sounds like your beef is with Bethesda and not Steam.

You know they're two different companies, right?

Do you need to borrow $5 so you can play with Mod Workshop on Steam? If that's the problem, just say so. I'm willing to help.