I tend to go one step further and believe that there are political/financial motivations for this "negative emphasis" on not just mathematical, but all forms of rigorous logical education.

Firstly, it can be seen as trying to appeal to the "will of the majority" and the popular discourse of inclusionism, thus making the less educated people content in their place and giving them the illusion that all skills are created equal. Indeed, the portrayal of education itself as 'eugenicist' and 'classist' mean that even the intention to go into further education can become stigmatised, especially to the "majority" which popular rhetoric have placed as antithetical to the "upper class's" whims.

This has the function of allowing political and business interests to leverage this lack of understanding to manipulate the population based on faux-mathematics and faulty logic. We see this happening every day, in areas such as the economy and counterterrorism, and it seems to be working well. "Facts and figures" are treated like holy scriptures, and even their logical inconsistencies are accepted without question - creating a docile class of proles that publicists (who all along knew the power of numbers and rhetoric) can easily manipulate for their own means.

This is why maths - and other forms or logical education is important in this day and age: it encourages people to be analytical, logical and find out answers to themselves, something highly threatening to the current politics of ignorance. Knowledge is power, folks!

(Disclaimer: I'm a Gender/Cultural Studies major, former straight-Maths student.)

Bingo, that's pretty much what this thing's built for. Over here in Aussieland we call them 'rips', schoolchildren are taught about them, and they're pretty much the reason that surf lifesavers (who the device is intended for, as TFA states) exist in the first place. Warning: Rips are faster than a human can swim and WILL drag you out to the deep stuff in no time unless you get out of it by swimming sideways.

As a starry-eyed 21-year-old I just have to say...

This is bloody brilliant, and looking at it makes me amazed that people once actually invented and engineered complex devices by hand, then disappointed in the realisation that today everyone takes the easy way out with solenoids, microcontrollers and bloated code that doesn't let you completely understand what's going on in there.

As much as I'd like to get into mechanical computing/engineering as a hobby, it seems to be mainly dead outside of a few eccentric British circles... is there any way for the new generation to come close to understanding what once was?

-Aly =]

"I want to find ideas that are global."

I'm not entirely sure that making a game 'global' would lead to its popularity in this day and age.

Up until the 90's, limitations in graphics and programming meant that games had to be abstract, to varying extents. When playing Asteroids, Donkey Kong or even Pokemon, their semblance to reality didn't really matter as we all knew it was just a game to have fun with. Thus, games were inherently more globalised, with less direct referencing to existing cultural products (and if there was referencing it was obvious that it was solely for marketing most of the time).

In today's day and age, however, advances in graphics and programming - combined with the prevalence of visual media through Internet videos, reality TV and increased broadcast coverage of everything that happens means that games are conceptualised as extensions of existing cultural products or genres, whether that be football, guitars, anime, war, science fiction or history. This creates marketability through association and familiarity of the source material, and enables video games to be placed within our current understandings of popular culture.

Seeing as preferences for various forms of popular culture widely differ across countries, I'm not at all surprised that Japan's influence in games has waned; there is enough of a local market that Japanese developers inevitably subscribe to Japanese conventions on popular culture, which often alienates foreign players to whom these conventions are not automatically assumed. The same applies for the Western game industry, who often draw upon MTV (and the like) for the concept of (masculine-oriented) 'coolness' that seem to dominate Western game aesthetics. Though I can't say for sure, I would think that a similar phenomenon is occurring between the American and European game industries, and I can't see the situation reversing, what with the continuous obsession with graphics and pseudorealism.

Aly =]

"Garriott added that his assertion is somewhat tongue in cheek."
-a less dodgy source

I thought this was a reasonably sound article, but it neglected something that I always found interesting about game soundtracks: namely, the correlation between the musical styles used and the game's country of origin.

For instance, Final Fantasy and Myst both feature orchestral soundtracks but the composing techniques used do vary, leading to different effects being created. The tendency seems to be that Japanese games feature melodic tunes for every scene/stage/level whereas Western games tend to use more ambient compositions.

Would someone with more knowledge in the area care to elaborate?
Aly.