It was his decision to record music and sell it to the public.
Fixed.
If you enjoyed his work, he happens to have a sale going on...$10 for the album and you can enjoy it anytime you want. You can put it on your computer, ipod, cell phone and enjoy it anywhere.
But if you just download it and do the same, then you are taking money out of his pocket just the same as if you lifted a bag of chips from 7-11.
Really?
First part is false if you live in the UK: format shifting is considered infringement, as it deprives the author of funds they could have gathered by providing it to you in that format.
"Just download it and do the same" -- are you saying that my iTunes downloads don't give me the same freedom to format shift as if I bought a CD?
"you are taking money out of his pocket just the same as if you lifed a bag of chips from 7-11" -- No. If I downloaded something without paying when I would have gladly paid $10 if the free version hadn't been available, I am depriving the author of potential profit. If I walk out of 7-11 without paying for physical goods, I've taken something with tangible value and deprived the store of it (and deprived them of selling it to someone else who would be willing to pay the $2.50).
Look at it this way: if an audio track is on a website next to a "donate" icon, anyone in the world can download it and donate. The cost is the cost to serve the bits, plus the sunk cost of producing the audio track.
If a bag of chips is sitting on a shelf next to a "donate" jar, anyone who is locally present can take the bag of chips. Once that's done, all that is left is the jar, possibly with some money in it.
Where things break down is that we have a concept built around the exchange of value. I might have a bag of chips, you might know how to fix a leaky faucet. In exchange for the bag of chips, I could a) fix your leaky faucet (this is exchange of goods for services) or b) tell you how to fix your faucet (exchange of goods for information). Music is exactly like the second one of these, even though some people conflate it with the first.
If I told you "you can't tell anyone else how to fix a leaky faucet without paying me first" you'd probably just ignore me.
Many music contracts are, however, written up this way, so that the distributor gets the right to say who can tell who (and how) how to fix that faucet. If someone breaks their agreement not to tell, and then tells a bunch of other people how to fix the faucet, are those other people suddenly taking money out of the pocket of the guy who sold this information to the distributor?
Think about that.