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Comment Re:im a music mixer in hollywood... (Score 4, Informative) 197

The way Atmos works is it can carry up to 128 individual audio channels. 20 of these are set aside for two discrete 9.1 mixes (mixers choice what goes in those), the remaining 108 are set aside for individual pannable objects. In the file themselves, these audio objects are full-rez and lossless; however, these objects don't "live" all the time, the mixer can use them for a few seconds here and there. Nothing as general as "all the dialogue" or "all the car sound effects" lives in the pannable objects throughout the entire project.

There are discrete sounds in the Atmos bitstream itself though, and in principle it would make remixing easier, so I suspect you'll never see an Atmos bitstream in a consumer format without DRM.

Comment Re:Ambisonics (Score 4, Informative) 197

The problem with Ambisonics is it tends to favor a strong Sweet Spot, which is OK in a home theater but will fail in a large room, where people are seated to the four corners of the space. Speakers near the walls will always tend to be perceived as louder, and the further you are from the tuned center of the room, the more the sound field will appear to be warped toward the closest wall. This happens with 5.1 but the effect is mitigated by the fact that there's a center speaker behind the screen, and the mixers have individual control over speaker levels and panner divergence.

Ambisonic mixes are almost by definition not mono-compatible and don't allow the mixers to address sounds to individual speakers with unlimited panner divergence. There's always some situation where you want a sound to come from every speaker in the room, or to come from speakers on the opposite sides of the room, with equal intensity: the latter is impossible with B-format (and only possible in the limit with n channels), and the former is impossible with any theoretical pure ambisonic sound system.

Comment Re:im a music mixer in hollywood... (Score 5, Informative) 197

and yes, you dont have enough speakers and amps for atmos at home. sound bars wont make it. hell, most people i know have their 5.1 systems setup wrong.

I'm a sound designer in Hollywood, my credits include Men in Black 3 and Zero Dark Thirty.

The main promise of ATMOS was that it wouldn't matter how many speakers you had -- a mixer could prepare a final mix in Atmos in his 60-horn room, but then when the bitstream on the DCP or Blu-Ray was decoded in the theater or home, it wouldn't matter if the end-user had a 60-speaker Atmos rig, a 9.1, a Barco Auro speaker system, a 5.1, a stereo or even a mono. The Dolby renderering algos would simply take the panned objects and automatically render the correct audio stream for each speaker, as a function of the speaker's position relative to the listener. The Dolby RMU is just a glorified OpenAL audio engine, it gets fed audio streams that have an alt/azimuth data envelope, and this envelope is transformed down to whatever speaker array the end user has.

What's even more interesting is you could have a significantly more complex speaker array than the person who mixed it -- maybe he mixed it with 32 speakers, and you have some future-ready system with 100 -- and the renderer will still do the Right Thing and expand the spatial resolution accordingly. Atmos mixes are future-proof for any simple, non-phase-related speaker array.

Comment Re:Cascade of brown noses (Score 3, Funny) 235

At least it has a REST API so you can update Yammer entities with HipzZap and Plinkus. We use them with our federated QUERTOS hive at the shop, which replicates the Yammers to Wo0tgrams for iOS (or Kafoom posts on Android).

And we read them on a boat, and we read them on a goat...

Comment Re:They nailed it 500 years ago (Score 1) 128

Careful, Richard Feynman once said something very similar about computer programming:

Well, Mr. Frankel, who started this program, began to suffer from the computer disease that anybody who works with computers now knows about. It's a very serious disease and it interferes completely with the work. The trouble with computers is you *play* with them. They are so wonderful. You have these switches - if it's an even number you do this, if it's an odd number you do that - and pretty soon you can do more and more elaborate things if you are clever enough, on one machine.

After a while the whole system broke down. Frankel wasn't paying any attention; he wasn't supervising anybody. The system was going very, very slowly - while he was sitting in a room figuring out how to make one tabulator automatically print arc-tangent X, and then it would start and it would print columns and then bitsi, bitsi, bitsi, and calculate the arc-tangent automatically by integrating as it went along and make a whole table in one operation.

Absolutely useless. We *had* tables of arc-tangents. But if you've ever worked with computers, you understand the disease - the *delight* in being able to see how much you can do. But he got the disease for the first time, the poor fellow who invented the thing.

Comment Re:Good? (Score 4, Interesting) 273

The next one will be automated "city cars" built by Google, that will pickup and drop off people at work and take them shopping and whatnot.

Let's not get ahead of ourselves, such a car has yet to be demonstrated. Google's demo vehicles are incapable of taking riders anywhere apart from a set track of stops, like a Disneyworld people-mover ride.

There's still probably a need in some cities for street-hail livery, which is what classic yellow cabs are -- in NY you can wait 5-10 minutes for the Uber or hail a cab in 30 seconds, and frankly the cabbie will be less of a pain -- my experience with Uber drivers in Manhattan has been a pretty mixed bag. As long as humans are doing the driving it might still be advisable for the drivers to get background checks and have commercial licensing and insurance, such things are prudent and won't kill the magic free market pixies that flutter about e-hailed car services.

As I understand it, city governments have a few simple problems with Uber-

1) Ubers can avoid poor neighborhoods at will, and there's really nothing the city can do about it. I live in LA, and if you live in, say, Watts, you must call a cab if you want a car, no Uber will find you there, because it's "the ghetto" and there's never an Uber within 20 minutes. Taxis can be and are required to pick up from all parts of the city, and their statistics are closely monitored by regulators to make sure they do.

2) Uber's trip pricing structure is very free-markety but it conflicts with most city's basic taxi regs, wherein a trip's price is a fixed formula of distance and time, no special charge for time of day or pickup/destination location. Uber can't provide this, because they use rate premiums to recruit drivers. Again the system is completely open to various kinds of discrimination, and the pricing process is completely private and not open to any sort of public accountability or scrutiny -- even they drivers, who are nominally the service providers ("Uber is not a transportation company"), can't control it.

3) These of course lead to the more philosophical dispute, namely, Uber handles the hailing, transaction processing, driver and rider ratings, and branding of the interaction, but whenever there's any sort of trouble, Uber can vehemently claim they have nothing to do with the driver or the ride, that it's none of their business, and governments and harmed parties must direct all their laws and lawsuits at little sole proprietors. This is a little too clever by half for some people and while following the letter of the law tends to skirt the equities a little too close.

All of this is totally fine as long as e-hail livery is a "premium" service, but some cities rely on taxis as a critical part of the transport infrastructure, and that's when price disparities and availability blackouts start to be problematic, politically.

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