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Comment Yes, the customer pays indirectly, but that still (Score 3, Insightful) 93

Yes, the customer pays indirectly, but that still doesn't change the fact that AA is being forced to provide the information through an intermediary that is a competitor. We have both sides that have a stake in how the information is transferred in an effort to reduce costs on their end, increasing profits, which inversely affects the other. I'm torn between siding with AA who owns the information, and Orbitz who was/is already wired to use their provider. As a consumer, I could wash my hands of this as I rarely fly AA due to costs, but I think the principle of the matter is important here.

Comment Am I missing something? (Score 4, Insightful) 93

Maybe I'm misinterpreting the article, but what is up with a business (AA) being forced to use a specific third party processor owned by a competitor and paying for the "privilege" in this manner. AA is the originator of the information and it should be at their discretion to which global distribution systems they publish it to According to wikipedia (http://en.wikipedia.org/wiki/Computer_reservations_system) there are a handful of systems. The top two each serve just under half of the U.S. market share, one of which is created by American Airlines. The next largest is Travelport's "Worldspan" which is used by Orbitz.
Music

Submission + - Eminem Sues Apple for iTunes Sales (macworld.co.uk)

puk writes: MacWorld UK is reporting that Eminem's publisher is suing Apple, alleging that his label, Universal, did not have the right to authorize online sales of digital versions of Eminem's music. Therefore, they argue, Apple is violating Eminem's copyright by selling his songs through the iTunes Music Store.

Of course, if this turns out to be the case, Universal may also be on the hook for the damages, if indirectly. Looks like another case of trying to figure out whether old contracts authorize new activities...

Classic Games (Games)

Submission + - Lord British fundraising for video game museum (statesman.com)

SethJohnson writes: "In order to raise funds to develop the University of Texas' upcoming Video Game Archive at the Center for American History, Richard Garriott is throwing a party at his Austin estate. Festivities will include Segway scooter polo, classic arcade games, a replica of Shakespeare's Globe Theatre and the chance to win a zero-gravity flight 32,000 feet above Earth. Garriott is best known as the creator of the Ultima series of computer RPGs and is working to support the video game archive so that early works in the field will be preserved for future reflection. Tickets for the fundraiser start at $75 per person and escalate to $5,000."
Music

Submission + - Eminem Sues Apple for iTunes Sales (macworld.co.uk)

puk writes: MacWorld UK is reporting that Eminem's publisher is suing Apple, alleging that his publisher did not have the right to authorize Apple's online sales of digital versions of Eminem's music through the iTunes Music Store and that therefore Apple is violating Eminem's copyright by doing so.

Of course, if this turns out to be the case, Universal may also be on the hook for the damages, if indirectly. Looks like another more case of trying to figure out whether old contracts authorize new activities...

Music

UK Rejects Extending Music Copyright 338

timrichardson writes "The British Government has rejected extending copyright for sound recordings. This is an important development in the face of trends to extend copyright duration, although it leaves British copyright protection for music recordings at a shorter duration than for written works. The decision came despite fierce lobbying from the large British music industry. The music industry will now lobby directly to the European Commission, but without the support of the national government, its position is significantly weakened. British copyright for music recordings therefore remains at 50 years after the date of release of a recording, in contrast to 95 years in the US and 70 years in Australia."

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