Strange, isn't it, when you think about it.
Not when you consider the people who work in the media. Shock, novelty and outrage are their stock in trade. It's what they understand, so artists who provide these elements get written about. Aesthetic/decorative (for want of a better term) art is more difficult to write about -- there is a fundamental subjectivity involved that is very hard to get past -- and notions of beauty tend to be difficult to explain.
So art criticism, and music criticism, tends to focus on novelty and fashions If you're hip, it doesn't matter if your high concepts are dismally let down because you lack the talent to execute them very skillfully. So Tracy Emin and Animal Collective get on the front pages of the broadsheet culture sections, without very many people actually liking them, while high street art dealers sell local landscape watercolours in far greater quantities.
As the old saying goes: being difficult isn't difficult.