Comment "The Shadow and the Flash," Jack London, 1903 (Score 1) 238
Science-fiction comes true. Sort of. Jack London (better known for "The Call of the Wild") published a story in 1903 entitled "The Shadow and the Flash," online here. The plot in part turns on the concept of a perfectly black pigment. It is a good story--much better than you'd guess from a summary. As to the optics London was either confused or exercising creative license:
"'Color is a sensation," he was saying.... 'Without light, we can see neither colors nor objects themselves. All objects are black in the dark, and in the dark it is impossible to see them. If no light strikes upon them, then no light is flung back from them to the eye, and so we have no vision-evidence of their being.' "But we see black objects in daylight," I objected. 'Very true,' he went on warmly. 'And that is because they are not perfectly black. Were they perfectly black, absolutely black, as it were, we could not see them
Uh, no. But it sounds plausible. Wonderful descriptive touches: "When you are near me I have feelings similar to those produced by dank warehouses, gloomy crypts, and deep mines. And as sailors feel the loom of the land on dark nights, so I think I feel the loom of your body."
Two brothers who feel sibling rivalry to a homicidal degree, are both amateur scientists with private laboratories. (Well, OF COURSE they are, who isn't?) They decide to seek the secret of invisibility, one by developing a perfectly black pigment, the other by becoming perfectly transparent. Both methods are flawed. The title refers to the flaws. The brother who paints himself with perfectly black paint, unfortunately, still casts a shadow. The brother who becomes transparent, apparently does not refract light but does disperse it (???), so intermittently evokes bright rainbow-colored flashes.
It is a much better story than it sounds from that description.