All you have to do is same anything critical about Google.

islamicawakening.com hosting was suspended which strangely coincided with the wave of attacks from right-wing and Jewish tabloids. The attacks happened, in turn, after a regular commentary at the forums of this website on the deaths of British soldiers in Afghanistan (cheers).

I cannot figure out what to think of this: whether it was a coincidence or there was a relation.

Please visit the website, read the suspension notice and tell me what you think.

Formed by members of Rigor Mortis, Gammacide and Demonseed, the band formerly known as the Texas Metal Alliance is now WARBEAST and they're making waves with their old-school thrash metal attack. Signed to Housecore Records, WARBEAST is now touring the independent nation of Texas in preparation for world domination!

WARBEAST interview

For many people, metal serves as a starting point into something deeper: that is a starting point for exploring philosophy as well as hidden meanings and patterns within society and the universe. Not everyone pursues this line of thought whenever they become interested in metal music; unfortunately, those that don't are happy to drink beer, smoke pot and party --- they never aspire to great things in life. Those that do look for deeper meaning will find Prozak's website thought provoking and (most likely) controversial.

Interview with esoteric philosopher Vijay Prozak

To all weekenders, hipsters, novelty seekers, scenesters, and assorted parasites of the underground - we, the purveyors and fans of metal pre-1990 are taking back our music from you scum. It was never yours, you don't understand it, and we don't need your permission, approval, or support to continue. You idiots have done nothing but bastardize and trivialize it for almost a decade and we are sick of it.

http://aversesefira.blogspot.com/2009/07/attention-to-all-weekenders-hipsters.html

"Until the Light Takes Us is a documentary of the early 1990s black metal scene in Norway. Featuring interviews with Varg Vikernes, Fenriz of Darkthrone and other foundational members of the early black metal community, it is a documentary meant to appreciate black metal the way it should always have been: as an artistic movement against the modern world, gravitating toward mythic imagination through intense music, murder and fire."

Until the Light Takes Us homepage

This is coming out right before the mainstream media unleashes their latest assault on the genre:

"Jackson Rathbone, the teen heartthrob from 'Twilight,' has reportedly agreed to play Varg Vikernes (a.k.a. Count Grishnackh) -- the former BURZUM mastermind who is currently serving a Norwegian prison term for the August 1993 murder of MAYHEM guitarist Oystein Aarseth (a.k.a. Euronymous) and setting fire to three churches -- in the upcoming movie 'Lords Of Chaos.'

Based on Michael Moynihan and Didrik Soderlind's book of the same name, the film depicts true events and revolves around the black metal sub-culture that spawned a wave of murders and church arsons across Norway in the early 1990s."

Lords of Chaos movie

Somehow, a fictionalized, dramatized, Hollywood-ized version of the Lords of Chaos book is about the last thing I'd want to ever see.

It would be great if someone treated black metal as a form of art, because those early bands are so transcendently beautiful and violent that they're like stepping outside of modern society into a reality from ancient times -- or the future.

Blaspherian comes from Houston, Texas, and makes old school death metal with its own voice. Their music does not sound like any known band but is clearly influenced by the old school of booming, primitive, dark, introspective and alienated metal. Formed in 2004, Blaspherian arose from the collaboration of Wes Infernal -- formerly of Infernal Dominion and Imprecation -- and Desekrator, but rapidly branched out to include Matt Mayhem on drums and Apollyon on vocals and bass.

Interview: Blaspherian

Review: Blaspherian - Allegiance to the Will of Damnation

Full track MP3: Blaspherian "Enthroned in Blasphemous Triumph"

Metal Hall: Classical Forum

The net's oldest metal site has created a forum for classical music only.

As many of you know, classical and metal are similar through their use of narrative composition, where riffs fit together to form motifs and communicate change in experience.

This is why there is significant overlap between metal and classical fans, and why both musics have a stormy, powerful yet sensitive approach.

We are looking forward to connecting more of these fans with each other and more music they'll like, even if to outsiders it appears radically different.

For more information:

* Classical Music for Metal Fans
* What makes heavy metal heavy?

I went from being a metalhead who had a couple classical albums to a classical and metal listener. The two musics are really similar: like metal, classical strings together a series of riffs to tell a story.

My favorite composers are:

• Franz Schubert
• Ottorino Respighi
• Gustav Faure
• Anton Bruckner
• Camille Saint-Saens
• Ludwig van Beethoven
• Robert Schumann

All of these dudes are extremely "metal": stormy, powerful, dark and lawless music.

Some of my transition was inspired by the Talk Classical metal forum and "Classical Music for Metal Fans".

Anyone else listen to classical?

Master and Goreaphobia live in Houston -- July 17

July 17 at 8 PM
Walter's on Washington
4215 Washington
Houston, TX 77007

http://www.4215washington.com/

This August, Averse Sefira will make their first ever appearances in Central America:

Friday, August 14 - La Bode - Ruta 2 3-47 4 Grados Norte Zona 4, Ciudad Guatemala, Guatemala

Saturday, August 15 - Museo de Antropologia e Historia - 3 Av. y 4 calle San Pedro Sula, Honduras

Sunday, August 16 - Bar Buhoos - San Salvador, El Salvador

http://www.aversesefira.com/

The Hessian.org guys have put together a list of the most influential current bands and albums, with mp3s. The idea is not to list bands of the week, but the "new classics" that are defining the genre right now. You can listen to the MP3s from your browser.

http://www.hessian.org/music/

In trying to solve the world's energy problems on the back of a napkin (see blog), I think I figured this global warming thing out. Mind you, I don't believe in human-caused global warming; but this one's a little more generalized. Basically, the sun and the earth are the same; the earth's a lot dimmer, but it radiates thermal energy out into the universe, and has struck an equilibrium with input (from the sun) versus output. Plants store thermal energy; bacteria and animals eat plants and release thermal energy. Well, every machine running on electricity also releases thermal energy. Whether we burn biofuels or throw up solar panels, we're absorbing energy from the sun that's normally reflected wholesale back to space and/or releasing it faster into the ambient environment than useful (i.e. burning plants in 30 seconds, rather than letting them decay in 3 months). With all the extra absorbed and wholesale-released heat, the equilibrium point shifts upwards, and the earth maintains a higher temperature-- it gets hotter! It gets hotter with every man, animal, and machine that walks the surface of this damn planet!

Re:Bullshit (Score:2)
by girlintraining (1395911) Foe of a Friend on Wednesday December 17, @05:23PM (#26153681)

>If you go see the shuttle up close and your first thought is that it has a bad paint job, maybe you should just stick to playing with dolls.

Or maybe you should be less of a douchebag. The fact that something is an engineering marvel doesn't mean much to some people, but that doesn't mean that lessens the impact it has for them. Who hasn't looked up at a bird in the sky and wanted to journey? Who hasn't seen the stars and wished upon them? When I look at the shuttle, I don't see an engineering marvel. I see the realization of over twenty thousand years of human beings dreaming of having their own wings and flying through the heavens. And you know what -- I think I'm allowed to say it does have a bad paint job, and I could care less about the mechanical guts of it. That's not why it's beautiful.

Tanks, bombers, subs, and all that jazz you like--You can love them if you want, call them awesome. They're not special to me, they're just made so some people can kill other people. I'll stick with my dolls, and if you don't mind terribly, I'll be doing it in that badly painted bird over there that was built with hopes and dreams, instead of fears and insecurities.
--
All difficult things have their origin in that which is easy, and great things in that which is small. ~ Lao Tzu

I may have unleashed a massive storm of bloviation with my post, We Want the Traditional Order .

Yet it's true -- the appeal of both Tolkien and science is that they verify what we know to be true, a meta-form of common sense. Read your Herodotus. Read Plato. Think critically. Suddenly, you see we're asking all the wrong questions.

Society is not about the individual. It's about social order. It's not about judging others, or by sleight of hand, not-juding them. It's about social order. It's about putting people in the right place so they can function well and feel a sense of reward in belonging to the collective, because guess what, civilizations are by definition collectives.

People are afraid of their own obscurity so they make up lies to hide the plain old truth that very few of us are important, and those that are important -- a handful -- only are if our species survives.

I find it amazing that some people think this society is on its way to anything but ruin. Yes, we've got all this technology, but we're falling apart within and people are encouraged to be neurotic -- by each other.

While all the idiots out there are busy blaming government, religion, etc. for human problems, the simplest and most scientific answer is that we need to look into mass psychology -- it's probably where the error lies.

I have, and read a fair amount of history, enough to see that the situation in reality is never discussed in our society. That enough is proof of its delusional nature.