Comment Re:A word about Vinyl (Score 2) 89
It's true most audiophiles have little technical knowledge, and they have little or no clue why they like the LP sound. and likewise for the younger crowd rediscovering "vinyls." LP's (vacuum-cleaned and played with a good cartridge and turntable) are at least as good as music played back with lossy encoding through portable players, the way most people listen to music thesedays (this psychoacoustic data compression should not be confused with the topic I address below, dynamic range compression).The quality of recordings has less to do with the medium and more to do with how music production and mastering have changed over the decades.
The RIAA EQ has nothing to do with the sound (other than appropriately shaping the max signal at different frequencies and the S/N ratio). Tape (in use for many decades, still used for some recordings) has recording and playback EQ as well, and for similar reasons.
The stereo compromise for LP's (this is actually where the term mastering originated) is mainly making the bass mono, which was done anyway for pop record starting in the late '60's with the bass guitar and kick drum mixed "in the middle" for maximum power through both stereo speakers. LP's are also made with a dropoff below 40 Hz to keep from exciting the stylus suspension/arm resonance, but very little pop music (as performed live and recorded on CD's) has anything below 40Hz either. The lowest note on the common 4-string bass guitar, the E, is 41Hz.
The REAL compression started in the '80's and became extreme in the '90's with hypercompression, the "LOUDNESS WARS" and actual signal clipping on CD. That, perhaps more than anything else, is why many people like the sound of LP's - despite its limitations, the recordings made on records have more dynamics than on modern CD's. One CD held as the epitome of this production technique was Rush's Vapor Trails: http://en.wikipedia.org/wiki/Vapor_Trails
It's such an irony. When CD's were announced it was touted as such a great innovation, recordings would have greatly increased dynamic range over LP's, and certainly the potential was there, but the exact opposite happened.