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Comment Re:Neil DeGrasse Tyson may be right - now, but... (Score 1) 580

"So was crossing the atlantic in a boat."

'Tis true, Until we find natives on another planet foolishly hoarding natural resources, that are ripe for exploitation and conquest, then commercial space programs are doomed.

Until then our only hope (stop, please stop, thinking about making a joke there) is some crazy idiot backed by a second-rate global player who thinks he can find a quicker route from San Jose to San Francisco via Mars.

Comment Re:Not to quibble, but... (Score 1) 164

amacbride wrote: "Um, in the very first sentence..."

You're right and fixed. Thank you! It's the only spelling error of the man's name in the essay. Copyedit errors happen.

"Furthermore, I think 2001 the film works precisely because of the tension between Clarke's fundamentally optimistic view of human nature, and Kubrick's pessimistic one."

Read on and I think you'll find we're very much in agreement on that point. -M

Comment Re:the 'grad student read' (Score 1) 164

globaljustin wrote: "(when he bothers to try and summarize)"

That's a fair point. I could cut the word count down significantly and recast several of the ideas into separate academic papers. But I was shooting for a more general audience, one who might need a breakdown of the film scene by scene. Those who haven't seen the film more than once. But I could have done better. Every piece of work has its warts.

I'm on to other projects now, but may one day revisit the work and attempt a more concise revision.

Comment Re:My bad (Score 1) 164

OK, so I get it now. Timothy linked to a /. review of that book in the submission intro, and you linked to an Amazon review of that book as well. But the book wasn't written by me. I got confused.

However, I read the Amazon review and thought - beyond her criticisms of a book I haven't read - some of what she said about the movie was very interesting. I'd love to read her essay on 2001 and will definitely do a google search and look for it. I suspect she'd trash my work, but also believe that in her criticisms I'd learn many interesting new things.

On the fence here over whether I'd prefer she review my essay. Woman got a harsh tonue. Lol. -M

Comment Re:Not to quibble, but... (Score 1) 164

I own many of Clarke's books, including 2001. I'm sorry to say, but I think you should check your sources on that one. See here. Further, I checked the essay source and found 26 instances of the name "Clarke" and no misspellings of "Clark". Can you quote a portion of text where you found the error? If so, I'll fix it. -M

Comment Re:OMFG (Score 2) 164

Ligeti is pretty avant-garde stuff. He makes extensive use of polyrhythm and chromatic polyharmony. His stuff is meant to be difficult listening. Clashing sounds that evoke discomfort and disturbed emotions. I won't say that my interpretation is an 'explanation' for why Kubrick chose that kind of music for his score, but I do think it's fair to say that he chose it on purpose.

Glad you liked the read!

Comment OMFG (Score 5, Interesting) 164

Uhhh. Hi folks!

I'm in Aussieland, where everything that moves is poisonous, and it's past 11pm. If there are any questions, I'll try to answer as timely as I can. But the wifey has dibs too.

Pretty fracking cool /. and thanks timothy! And it's aright if you think there's better words out there on the film. Damn thing has embossed more ink on paper than just about any flick in existence. I just couldn't help myself 'cause I love the movie. So I wanted my say too.

Whoa.

Comment Re:Congratulations! (Score 1) 5

Forward me a copy or a link to a google doc. I absolutely will not share it or violate your copyright in any way, and will do my best to offer a helpful and honest critique with the hope it will improve the work. PM me and I'll forward you a gdocs link to a short story I'm working on that's currently in the critters.org queue.

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