I don't think people understand the Unix philosophy. They think it's about limiting yourself to pipelines, but it's not. It's about writing simple robust programs that interact through a common, relatively high level interface, such as a pipeline. But that interface doesn't have to be a pipeline. It could be HTTP Requests and Responses.

The idea of increasing concurrency in a web application through small, asynchronous event handlers has a distinctly Unix flavor. After all the event handlers tend to run top to bottom and typically produce an output stream from an input stream (although it may simply modify one or the other or do something orthogonal to either like logging). The use of a standardized, high level interface allows you to keep the modules weakly coupled, and that's the real point of the Unix philosophy.

I think he's off his meds again.

It depends on your design goals.

In Asimov's story universe, the Three Laws are so deeply embedded in robotics technology they can't be circumvented by subsequent designers -- not without throwing out all subsequent robotics technology developments and starting over again from scratch. That's one heck of a tall order. Complaining about a corner case in which the system doesn't work as you'd like after they achieved that seems like nitpicking.

We do know that *more* sophisticated robots can designed make more subtle ethical systems -- which is another sign of a robust fundamental design. The simplistic ethics is what subsequent designers get when they get "for free" when they use an off-the-shelf positronic brain to control a welding robot or bread-slicing machine.

Think of the basic positronic brain design as a design framework. One of the hallmarks of a robust framework is that easy things are easy and hard things are possible. By simply using the positronic framework the designers of the bread slicing machine don't have to figure out all the ways the machine might slice a person's fingers off. The framework takes care of that for them.

I don't think you've really grasped Apple's design sensibility. Job one for the designers is to deliver a product that consumers want but can't get anywhere else.

The "camera bulge" may be a huge blunder, or it may be just a tempest in a teapot. The real test will be the user's reactions when they hold the device in their hand, or see it in another user's hand. If the reaction is "I want it", the designers have done their job. If it's "Holy cow, look at that camera bulge," then it's a screw-up.

The thinness thing hasn't been about practicality for a long, long time; certainly not since smartphones got thinner than 12mm or so. They always been practical things the could have given us other than thinness, but what they want you to do is pick up the phone and say, "Look how thin the made this!" The marketing value of that is that it signals that you've got the latest and greatest device. There's a limit of course, and maybe we're at it now. Otherwise we'll be carrying devices in ten years that look like big razor blades.

At some point in your life you'll probably have seen so many latest and greatest things that having the latest and greatest isn't important to you any longer. That's when know you've aged out of the demographic designers care about.

Install iTunes somewhere, sign up for an account (you can do so without providing a credit card number), and download the album. Apple has been selling music DRM free for the last several years, so it's just standard AAC. Once you have it, remove your account, delete iTunes, and add the music to whatever music program you prefer to use.

Unless, of course, you live in Canada, where copying music from a friend is still perfectly legal.

Yaz

Except this is pretty much exactly how the system was setup.

In "releasing" the album, Apple pretty much just added a database entry for every user on iTunes to say that they had already purchased the album. It was then supposed to[0] show up in your iTunes library as "in the cloud", with an option to download it.

Nobody was forced to download the album. The only way you'd download it without needing to do so specifically is if you had previously turned on the option to automatically download all new iTunes purchases (which defaults to off). And the only way you'd have to worry about using cellular data for this is if you had the option to download iTunes Music purchases over mobile enabled as well (otherwise, it would wait until you're on WiFi). So yeah -- this is completely a tempest in a teapot from people who don't like U2 seeing a free album available for download showing up in their libraries.

Hopefully Apple have learned their lesson. It was a publicity stunt, and while it upset some people, here we are talking about it. I don't think it went off the way they were hoping it would, and hopefully they've learned some lessons in the process.

[0] - Here in Canada at least, it appears the setup for this album didn't work for a very large number of users. I know in my case, the U2 album did not show up on my iPad as it was supposed to, nor did it show up in any of my iTunes libraries. And I do have the auto-download option enabled. In order to get the album, I had to go into iTunes and find the section that shows all your existing purchases, and then select the "Not on This Device" list, and only then could I download the album. And looking at the album reviews on iTunes Canada, it seems that I was hardly the only person to experience this -- nearly every review when I last checked last night was form people trying to figure out how to get their "free" album. I haven't seen this level of complaints outside of Canada, so I'm assuming either a) something screwed up with the iTunes Canada edition of the album's launch, or b) iTunes Canada did something different in order to not run afoul of some legislation (although I can't for the life of me guess what legislation that might be). This situation seems to have been lost in the noise of everyone else complaining about getting a free album, so I haven't heard much commentary on the situation.

Yaz