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Comment Re:So, a design failure then. (Score 1) 165

It depends on your design goals.

In Asimov's story universe, the Three Laws are so deeply embedded in robotics technology they can't be circumvented by subsequent designers -- not without throwing out all subsequent robotics technology developments and starting over again from scratch. That's one heck of a tall order. Complaining about a corner case in which the system doesn't work as you'd like after they achieved that seems like nitpicking.

We do know that *more* sophisticated robots can designed make more subtle ethical systems -- which is another sign of a robust fundamental design. The simplistic ethics is what subsequent designers get when they get "for free" when they use an off-the-shelf positronic brain to control a welding robot or bread-slicing machine.

Think of the basic positronic brain design as a design framework. One of the hallmarks of a robust framework is that easy things are easy and hard things are possible. By simply using the positronic framework the designers of the bread slicing machine don't have to figure out all the ways the machine might slice a person's fingers off. The framework takes care of that for them.

Comment Re:The protruding lens was a mistake (Score 2) 425

I don't think you've really grasped Apple's design sensibility. Job one for the designers is to deliver a product that consumers want but can't get anywhere else.

The "camera bulge" may be a huge blunder, or it may be just a tempest in a teapot. The real test will be the user's reactions when they hold the device in their hand, or see it in another user's hand. If the reaction is "I want it", the designers have done their job. If it's "Holy cow, look at that camera bulge," then it's a screw-up.

The thinness thing hasn't been about practicality for a long, long time; certainly not since smartphones got thinner than 12mm or so. They always been practical things the could have given us other than thinness, but what they want you to do is pick up the phone and say, "Look how thin the made this!" The marketing value of that is that it signals that you've got the latest and greatest device. There's a limit of course, and maybe we're at it now. Otherwise we'll be carrying devices in ten years that look like big razor blades.

At some point in your life you'll probably have seen so many latest and greatest things that having the latest and greatest isn't important to you any longer. That's when know you've aged out of the demographic designers care about.

Comment Re:How can I get it? (Score 1) 323

Install iTunes somewhere, sign up for an account (you can do so without providing a credit card number), and download the album. Apple has been selling music DRM free for the last several years, so it's just standard AAC. Once you have it, remove your account, delete iTunes, and add the music to whatever music program you prefer to use.

Unless, of course, you live in Canada, where copying music from a friend is still perfectly legal.

Yaz

Comment Re:It's a relationship argument about control. (Score 1) 323

Sorry, forcing a download of an entire album is *not* giving you an option that "you don't have to tune into". This is not you giving the kids an album you like, this is you strapping them to a chair to listen to it à la "Clockwork Orange". If everyone got an email saying "Click for a free download of the album!" there would be no complaints. (Mockery, perhaps, but not complaints. :-) )

Except this is pretty much exactly how the system was setup.

In "releasing" the album, Apple pretty much just added a database entry for every user on iTunes to say that they had already purchased the album. It was then supposed to[0] show up in your iTunes library as "in the cloud", with an option to download it.

Nobody was forced to download the album. The only way you'd download it without needing to do so specifically is if you had previously turned on the option to automatically download all new iTunes purchases (which defaults to off). And the only way you'd have to worry about using cellular data for this is if you had the option to download iTunes Music purchases over mobile enabled as well (otherwise, it would wait until you're on WiFi). So yeah -- this is completely a tempest in a teapot from people who don't like U2 seeing a free album available for download showing up in their libraries.

Hopefully Apple have learned their lesson. It was a publicity stunt, and while it upset some people, here we are talking about it. I don't think it went off the way they were hoping it would, and hopefully they've learned some lessons in the process.

[0] - Here in Canada at least, it appears the setup for this album didn't work for a very large number of users. I know in my case, the U2 album did not show up on my iPad as it was supposed to, nor did it show up in any of my iTunes libraries. And I do have the auto-download option enabled. In order to get the album, I had to go into iTunes and find the section that shows all your existing purchases, and then select the "Not on This Device" list, and only then could I download the album. And looking at the album reviews on iTunes Canada, it seems that I was hardly the only person to experience this -- nearly every review when I last checked last night was form people trying to figure out how to get their "free" album. I haven't seen this level of complaints outside of Canada, so I'm assuming either a) something screwed up with the iTunes Canada edition of the album's launch, or b) iTunes Canada did something different in order to not run afoul of some legislation (although I can't for the life of me guess what legislation that might be). This situation seems to have been lost in the noise of everyone else complaining about getting a free album, so I haven't heard much commentary on the situation.

Yaz

Comment Re:Where the pessimism comes from. (Score 5, Insightful) 191

I'd argue that we do try to write about the future, but the thing is: it's pretty damn hard to predict the future. ...
The problem is that if we look at history, we see it littered with disruptive technologies and events which veered us way off course from that mere extrapolation into something new.

I think you are entirely correct about the difficulty in predicting disruptive technologies. But there's an angle here I think you may not have considered: the possibility that just the cultural values and norms of the distant future might be so alien to us that readers wouldn't identify with future people or want to read about them and their problems.

Imagine a reader in 1940 reading a science fiction story which accurately predicted 2014. The idea that there would be women working who aren't just trolling for husbands would strike him as bizarre and not very credible. An openly transgendered character who wasn't immediately arrested or put into a mental hospital would be beyond belief.

Now send that story back another 100 years, to 1840. The idea that blacks should be treated equally and even supervise whites would be shocking. Go back to 1740. The irrelevance of the hereditary aristocracy would be difficult to accept. In 1640, the secularism of 2014 society and would be distasteful, and the relative lack of censorship would be seen as radical (Milton wouldn't publish his landmark essay Aereopagitica for another four years). Hop back to 1340. A society in which the majority of the population is not tied to the land would be viewed as chaos, positively diseased. But in seven years the BLack Death will arrive in Western Europe. Displaced serfs will wander the land, taking wage work for the first time in places where the find labor shortages. This is a shocking change that will resist all attempts at reversal.

This is all quite apart from the changes in values that have been forced upon us by scientific and technological advancement. The ethical issues discussed in a modern text on medical ethics would probably have frozen Edgar Allen Poe's blood.

I think it's just as hard to predict how the values and norms of society will change in five hundred years as it is to accurately predict future technology. My guess is that while we'd find things to admire in that future society, overall we would find it disturbing, possibly even evil according to our values. I say this not out of pessimism, but out my observation that we're historically parochial. We think implicitly like Karl Marx -- that there's a point where history comes to an end. Only we happen to think that point is *now*. Yes, we understand that our technology will change radically, but we assume our culture will not.

Comment Where the pessimism comes from. (Score 5, Insightful) 191

The pessimism and dystopia in sci-fi doesn't come from a lack of research resources on engineering and science. It mainly comes from literary fashion.

If the fashion with editors is bleak, pessimistic, dystopian stories, then that's what readers will see on the bookshelves and in the magazines, and authors who want to see their work in print will color their stories accordingly. If you want to see more stories with a can-do, optimistic spirit, then you need to start a magazine or publisher with a policy of favoring such manuscripts. If there's an audience for such stories it's bound to be feasible. There a thousand serious sci-fi writers for every published one; most of them dreadful it is true, but there are sure to be a handful who write the good old stuff, and write it reasonably well.

A secondary problem is that misery provides many things that a writer needs in a story. Tolstoy once famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." I actually Tolstoy had it backwards; there are many kinds of happy families. Dysfunctions on the other hand tends to fall into a small number of depressingly recognizable patterns. The problem with functional families from an author's standpoint is that they don't automatically provide something that he needs for his stories: conflict. Similarly a dystopian society is a rich source of conflicts, obstacles and color, as the author of Snow Crash must surely realize. Miserable people in a miserable setting are simply easier to write about.

I recently went on a reading jag of sci-fi from the 30s and 40s, and when I happened to watch a screwball comedy movie ("His Girl Friday") from the same era, I had an epiphany: the worlds of the sci-fi story and the 1940s comedy were more like each other than they were like our present world. The role of women and men; the prevalence of religious belief, the kinds of jobs people did, what they did in their spare time, the future of 1940 looked an awful lot like 1940.

When we write about the future, we don't write about a *plausible* future. We write about a future world which is like the present or some familiar historical epoch (e.g. Roman Empire), with conscious additions and deletions. I think a third reason may be our pessimism about our present and cynicism about the past. Which brings us right back to literary fashion.

Comment Re:When the cat's absent, the mice rejoice (Score 5, Insightful) 286

Well, I'd be with you if the government was poking around on the users' computers, but they weren't. The users were hosting the files on a public peer-to-peer network where you essentially advertise to the world you've downloaded the file and are making it available to the world. Since both those acts are illegal, you don't really have an expectation of privacy once you've told *everyone* you've done it. While the broadcasting of the file's availability doesn't prove you have criminal intent, it's certainly probable cause for further investigation.

These guys got off on a narrow technicality. Of course technicalities do matter; a government that isn't restrained by laws is inherently despotic. The agents simply misunderstood the law; they weren't violating anyone's privacy.

Comment Re:Crude? (Score 2) 99

Compare that to some of the ST:TNG props that I've seen that look fine on screen, but when examined closely look like someone gave a 5-year old a couple of shots of vodka and turned them loose with a paintbrush.

There's a certain wonder to that too.

I had the same reaction when I saw the ST:TNG props in person. You wouldn't buy a toy that looked that cheesy. The wonder of it is that the prop makers knew this piece of crap would look great onscreen. That's professional skill at work. Amateurs lavish loving care on stuff and overbuild them. Pros make them good enough, and put the extra effort into stuff that matters more.

Comment Re: Great one more fail (Score 1) 600

These kinds of responses are conditioned on certain assumptions that may not hold for all users.

For example, let's assume that you have no need whatsoever to prevent other users from using your gun. Then any complication you add to the firearm will necessarily make it less suitable, no matter how reliable that addition is. An example of someone on this end of the spectrum might be a big game hunter who carries a backup handgun.

On the other hand suppose you have need of a firearm, but there is so much concern that someone else might use it without authorization that you reasonably decide to do without. In that opposite situation you might well tolerate quite a high failure rate in such a device because it makes it possible to carry a gun. An example of someone on this end of the spectrum might be a prison guard -- prison guards do not carry handguns because of precisely this concern.

This isn't rocket science. It's all subject to a straightforward probabilistic analysis *of a particular scenario*. People who say that guns *always* must have a such a device are only considering one set of scenarios. People who say that guns must *never* have such a device are only considering a different set of scenarios. It's entirely possible that for such a device there are some where it is useful and others where it is not.

Comment Re:Why is this legal in the U.S.? (Score 1) 149

You can only lower taxes if you lower your spending. I have yet to see any government entity, Federal or State, do so.

Further, if you have read The Federalist Papers you will see both how naive Madison, Hamilton and Day were on the tax issue, as well as their ideas on taxes in general. They square, more or less, with how things are done in that those who make more should pay more not as a form of punishment but only because they can.

However, this should be taken in context as in their day the difference between the rich and everyone else was just as wide as it is today but it was somewhat easier for a person to move up the financial ladder than it is today for numerous reasons.

As to taxing the rich, see above. It's not a punishment, regardless of what some on the left will say, but only the fact that they can afford to pay more without that extra money affecting their lifestyles. Compare someone making $50K/year who has a 2% increase in their federal tax rate to someone making $250K/year. That 2% impacts them significantly more than the second person even though the amount is more in the latter case.

If we're going to lower taxes we need to make across the board cuts. There are no sacred cows. Reduce the Social Security programs, cut out military projects, stop most food and fuel subsidies, remove tax loopholes and tax benefits to a bare minimum (mortgage deduction, depreciation, etc), and so on.

At this point there is no other way to lower taxes other than cutting what we spend and having, in this case Nevada, spend over $1 billion of its taxpayers money does not help the matter. That lost money has to come from somewhere and it will not be made up by those employed at the plant, those who build the extra road and development, the ones who feed these people and everything else. It won't happen. A large portion of that money will never be recovered in any form.

So the argument becomes, if we want to lower taxes we have to cut our spending or if not, the tax code needs to be rejiggered so more money can be found to keep paying for all the subsidies and the like we keep spending money on.

Comment Re:Why is this legal in the U.S.? (Score 5, Insightful) 149

It happens regularly in this country. The taxpayers get the shaft so private industry doesn't have spend their money. Our football teams (U.S. football, not your football), when they need a new stadium, threaten to take their team to another city unless the taxpayers cough up their money to build the new stadium and related matters, while the team continues to charge exorbitant prices.

This country wastes hundreds of billions of dollars each year by making sure private industry doesn't have to suffer the pangs of going out and getting financing for its projects like the rest of us do when we want to buy a home or do major repairs.

Don't forget we used several trillion dollars to prop up our banks and financial firms when, through their own incompetence, our financial system went into meltdown. These folks then used the taxpayer money to give themselves bonuses for the great job they did AND have told us taxpayers to go pound sand any time it is mentioned they should thank us for protecting them.

For all our talk about free markets and capitalism, we are incrementally closer to fascism than we are to a representative democracy. Industry, as a whole, gets what it wants, even if it means the taxpayers have to bend over and take it.

Comment Of course they don't need the full spectrum (Score -1, Troll) 80

digital TV broadcasts don't need the full 6MHz of broadcast spectrum that was used for analog TV.

Which is why the signal is worse than analog. Clipping, blocky shadows, dropped signals.

The only time digital has been better was the move to DVD from VHS/Beta and CDs from tape. 78s and 45s are still better than digital.

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