Comment Re:Moo (Score 1) 469
But the question is, given that any musician's ultimate target is to eventually have an audience, shouldn't how an instrument sounds to them be the quintessential point of evaluating the quality of an instrument?
How the instrument sounds is only half of the equation. What the musician has to do to generate those sounds is the other half. The better instruments will allow you to produce the desired sounds more easily and consistently. When you play a good instrument, it feels like you just think it and the instrument responds in kind. You're not fighting the instrument to try to make it produce the sound you want, rather than the sound it wants to produce.
I've played on pianos where the middle three octaves were harsher than the rest (probably hadn't been serviced by a technician in decades, and those octaves had the most wear). It makes it difficult because you have to play those three octaves differently than you play the rest in order to produce the same sound across the entire range. You have to devote brainpower to remembering to adjust for that inconsistency, instead of being able to devote everything to what you're playing.