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Comment Re:I think they might'a meant to say something els (Score 1) 183

Actually, the Copyright Act was replaced entirely in 1976 (becoming effective in 1978), and has been amended some, yet in substantial ways, since then. Noises are being made about a new Copyright Act coming along in the near future.

The person who wrote the summary is a bit confused. What happened is that the Warner claim was based on a copy published in 1935. Evidence was discovered of a copy that was published in 1927. That's not terribly interesting, but a copy published in 1922 has also come to light. That is interesting, because the cutoff for copyright on published works is 1923. (Due to the duration of copyright prior to the effective date of the 1976 Act, which retroactively lengthened the term of copyrights that were still in force)

Comment Re:Mickey Mouse copyirght extenstions... (Score 1) 183

Disney holds a trademark on Mickey Mouse, and can retain said ownership into perpetuity. That aspect alone can rightfully keep anyone else from utilizing the character in their own works, forever,

No, that part of the trademark will lapse when the copyright terminates. A trademark can't function as a substitute for a copyright. The remainder of the trademark might prevent people from selling MICKEY MOUSE brand breakfast cereal, but it would not stop them from using the character in their own works.

This is really the main reason that Disney is concerned about copyright terms; they know what would happen to the trademark.

Comment Re:Invasion of the DMCA trolls? (Score 1) 183

Piffle.

Copyright is utilitarian from top to bottom.

Copyright is only tolerable if it is better for society than not having it. One specific implementation of copyright is better than another if it provides a greater benefit for the public than the alternative.

It's no more based on fairness than a zoning regulation requiring a certain setback from the street.

Comment Re: Mickey Mouse copyirght extenstions... (Score 1) 183

A small nit here:

An exclusive right isn't a right that is held only by one party (and in fact, copyrights can be held by many parties), but is literally a right to exclude others.

So copyright isn't a right to make copies (that's free speech, and it applies even to works that aren't eligible for copyright). It is instead a right to exclude other people from making copies, and from doing certain other things with regard to the protected work.

Comment Re: Mickey Mouse copyirght extenstions... (Score 1) 183

As far as copyright on the glyphs for the letter font goes, the consumer or manufacturer who uses them, pays or has to pay for their use. I'm sure Microsoft and Apple license the various fonts included in their respective OSes.

Letter shapes are not copyrightable in the US. They may be eligible for a design patent, but that's relatively short-lived. Usually the only protectable thing, especially over a decent timeframe, is the name, as a trademark. That's why Apple's version of Helvetica from way back was called Geneva, and Microsoft's was called Arial.

How about forcing these descendents to donate their parents' assets to the public domain, just like copyrighted works?

We do.

We impose taxes on inheritances, because inheritance of substantial wealth is harmful to society. We impose taxes on property, because ownership of large, unproductive estates is harmful to society. We abolish property rights like the fee tail because inalienable property rights are harmful to society.

All property rights, beyond what an individual person can defend from others by force, relies entirely on the willing cooperation of others. The only reason I don't own the Brooklyn Bridge is because I can't convince enough people that I do. But if I were more convincing (or could overcome the force that would be mustered against me if I just tried to block others' access to it), my right of ownership would be perfectly legitimate.

Copyright operates similarly; no author has a right to tell others that they can't make copies, etc. of a work, merely because the author created it. All the author can do is keep the work a secret, if he's worried about that. Or he can convince others to respect his wishes. Just as you might not like to recognize my right of ownership of the Brooklyn Bridge merely because I really, really want you to, so too are third parties unlikely to honor a claim of copyright unless it provides some benefit to them that would not be enjoyed otherwise.

And so the deal with copyright is that we're willing to recognize an author's claim of copyright for a little while, because it seems to be useful to society, but eventually we're going to stop, and instead treat the work as being in the public domain, for the same reason. Authors can't stop that from happening, and there's too little benefit for the public in a perpetual copyright to bother recognizing them. It's a one-sided deal in favor of the public, but thems the breaks.

Comment Re:Mickey Mouse copyirght extenstions... (Score 1) 183

The whole point of copyright was to encourage writers and publishers and artists to invest time in making a good product.

No, the whole point of copyright was to promote the progress of science (which is an archaic term for knowledge) and to thus serve the public interest.

Half of that involves encouraging authors to create and publish works which they would not have created and published but for copyright. But the other half is to grant the least amount of protection, for the least amount of time, that is necessary to accomplish that.

And the success of any copyright law is measured in how much of a benefit it provides for the public (in terms of the number of works created and published), less how much harm it causes the public (by restricting the free use of the works).

The idea of copyright ... was to provide payment for services rendered, which would encourage creators to make more quality products in the future.

No. First, copyright doesn't guarantee any reward for the author or publisher; that's left to the market. All copyright does is funnel some of the profits available for the work toward the copyright holder. If a work is a flop, the copyright holder doesn't make any money.

Second, copyright doesn't care about quality. A brilliant work gets as much protection as a crappy one, (and again, the market may reward crappy works over 'quality works). This is necessary because artistic value is a matter of subjective judgment that the government should not be involved in. Quantity is the only permissible metric, and since a larger number of works will tend to result in a larger number of 'quality' works (see Sturgeon's Law) it's all okay in the end.

Comment Re:Mickey Mouse copyirght extenstions... (Score 2) 183

Until relatively recently the only way to obtain a copyright was to explicitly submit the material to the Library of Congress for certification at which point you were granted a 14 year exclusive use. You could apply for an additional 14 year grant but after 28 years the material would be forced to fall into the Public Domain and permanently accessible from the Library of Congress. You had those maximum of 28 years to make as much return on your investment as possible, but you were expected to then reinvest that return into new ventures.

"Relatively recently?" What are you, a highlander?

The 14+14 term you describe lasted from 1790 to 1831. Then it became 28+14. And in 1909, it became 28+28. That's the term that changed relatively recently, in 1978, to life + 70, etc.

Still, kudos on the general thrust of your argument.

Comment Re:Mickey Mouse copyirght extenstions... (Score 3, Informative) 183

Well, it's a little more complicated than that.

The sine qua non of a trademark is that all goods with the same mark originate from the same source. If this is true, the mark can be protected. If not, the mark cannot be protected. This is why trademark holders are always concerned with infringers; if the infringer is not stopped, there will be identically marked goods originating from different sources, and the protected status of the mark is jeopardized and can be lost.

Trademarks and copyrights only sometimes overlap with regard to the subject matter that they protect (e.g. a very artistic trademark could be protected by copyright as a work of art; a mere word used as a trademark could not be copyrighted, however). However, copyright is considered the superior right; a trademark is not allowed to function as a substitute for a copyright, nor to interfere with copyright policy.

This means that if the trademark is a character from a creative work, and the work is in the public domain, copyright law allows everyone to make copies and use the work and thus the character from the work, as they see fit. Trademark rights in the character can't interfere with this, so to the extent that there is a conflict, the trademark loses.

So the MICKEY MOUSE trademark might survive with regard to products unrelated to creative works, like those ice cream bars that looked like a Mickey Mouse head. But it would not survive with regard to movies, books, comics, television shows, etc. And I wouldn't want to bet money on whether it would survive with regard to things like t-shirts or hats that might feature Mickey Mouse in an ornamental capacity, rather than as a trademark. So a lot of the merchandising gravy train would derail.

Comment Re:wait, what? (Score 2) 391

The idiots in question had this to say about the quality of their digital data:

"Extremely high-purity Perfect-Surface Silver minimizes distortion caused by the grain boundaries which exist within any metal conductor, nearly eliminating harshness and greatly increasing clarity"

"Sound appears from a surprisingly black background with unexpected detail and dynamic contrast."

"All audio cables are directional. The correct direction is determined by listening to every batch of metal conductors used in every AudioQuest audio cable."

If that's your starting point for idiocy, the only next step is to start painting equipment with magic symbols to repel gremlins and evil noise fairies.

Comment Re:Don't buy the cheapest cable (Score 1) 391

This comes up whenever audiophile cables are discussed, but it's worth repeating: don't buy the cheapest cable.

I'm not sure if you read the follow-up article, but this bears repeating.

The cable that was used for comparison was the cheapest cable. In fact, it didn't even pass the Cat-6 certification tests done by Blue Jeans Cable after the even had finished.

But even with that nobody could tell the difference in the final sound quality.

Comment Re:Whats left unsaid... (Score 1) 120

The FCC can't strike down a state law. They can argue in court against it or work towards its repeal. They aren't that powerful.

I'm going to have to leave this now, but as a parting shot: The Washington post explicitly says that the FCC does indeed have the power to "preemt" state law (direct quote). (As I understand it without having to go via a court, though I assume that the state can sue the FCC if they want to appeal the decision).

Is this a mischaracterisation of the actual legal process?

Comment Re:Whats left unsaid... (Score 1) 120

You cited Tennessee. Tennessee prohibited public electric companies from offering those services without running it like a public utility.

That's not what I've read from the FCC ruling that nixed that law. I must confess that I haven't read it all, but can you cite that which supports your point? What I've read from i.e. the amicus briefs to the FCC the law prohibited the electric company from servicing someone that didn't get their electricity from same company (or wasn't "in the area serviced"), not that they did any of the things you mention. (And in either case the FCC didn't like that law and struck it down).

But I am saying that you are mischaracterizing the problems in the USA.

OK, I'll bite. What would be a fair characterisation then? Or isn't there a problem to begin with? (Again the FCC in their 2015 broadband report seems to think there is.)

Comment Re:Whats left unsaid... (Score 1) 120

In other words they don't want socialized internet.

And this is why I'm glad that I'm here, instead of over there. What purpose does the municipality serve other than to serve its inhabitants? And what better way to serve them than with infrastructure, especially that kind which succumbs to a natural monopoly anyway? (Running many different fibre networks is as dumb as running many different electricity lines, or roads, to a house).

Now, if you want to preserve the market, then by all means, do what we do here, and stipulate that the municipality can't offer service on said network, instead having to open it to all and sundry who want to do so. That provides the customer with both potentially high speed internet, even in out of the way places. If you look at the places where e.g. the local electric company rolled out fibre and was stopped by legislation (Tennessee?), these markets weren't served by anybody else, and still isn't), and you have a market for service where companies can offer there services. Legislating against the electric company pulling the fibre is just counter productive; legislating that they would have to open their network, now that would be another thing.

But as that would lead to real competition, at a lower total cost, not crony capitalism, I don't have high hopes for you...

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