Besides, his eyes are shown to display the same refractive property (the red glow) as all the other replicants including the owl in Tyrell's office.
Sure, sure... That's why they just shine a flashlight into someone's eyes to see if they are a replicant.
Phew... And here I feared there'd have to use some kind of a complicated multi-hour psychobabble test about empathy, memories and baby spiders.
A test, during which, a camera shines a bright red light into their eyes.
A test, during which, they pull the shades down as it is too bright in the room to do the test.
Which shades out the light from the Sun - which just happens to shine in the owl's ONE red glowing eye.
Which is funny, and must be some kind of error in the filming, a goof if you will, cause when the owl turns around NOW IT'S THE OTHER EYE THAT IS GLOWING.
And as we " know " that the red glow is actually an indicator of replicantness and NOT just the light of the Sun reflecting - it must be a goof by a well known hackfraud Ridley Scott.
But the most hilarious bit in these discussions about Deckard being a replicant is that should we accept those arguments to be true (regardless of logic or veracity) - they make BR into a shitty movie and reveal Scott to be a crappy director. And the whole thing is pushed by none other than him.
Why is that a shitty movie?
Cause human Decard showing empathy for toasters (which is what replicants are after all - just a machine with a timer which tells them what to do and when) emphasizes his HUMANITY.
Deckard's reluctance to return to the job, him falling for Rachel, him being afraid of Batty and then sharing in his final moment - it's all a show of his humanity.
And, the audience being human, it recognizes its own humanity in his.
A toaster pretending to be reluctant (it has no feelings - it's just a preprogrammed toaster) chasing a toaster, who does not want to be a toaster and wants to be a real boy/girl, pretending to fall for a toaster who thinks it's a real girl but finds out it is only a toaster, then pretends to be afraid, pretending to understand a toaster having a pretend moment... there is EXPLICITLY nothing to relate to in such a story.
Further more, it's an equivalent of a movie where the director shows the audience a man eating a juicy cake - and then tells the audience after credits that the cake is actually made of feces.
It is a movie which implies that the audience is stupid for assuming that what they are seeing is true.
Only, when that truth is empathy and humanity, Scott is actually trying to berate the audience for BEING HUMAN.
Either way, he comes of as an idiot. A George Lucas without all the toys.
He has issues. His brother CLEARLY had issues as well, maybe it runs in the family.
But Ridley's are more along the lines of some obsessive compulsive disorder combined with confidence issues.
He keeps second guessing his own work and taking any criticism at face value and as absolute judgment of quality.
Which is why so many of his movies end up with half the footage on the cutting floor.
The making of featurette of The Legend is very revealing of his flaws.
It's not that he will cut up the movie cause he heard some potheads snickering in the audience - it's how he will plunge openminded into any nonsense anyone suggests. Cause it will work in his mind at the moment.
"At the moment" being the operative term - as a single question later he will throw it out.
Though a moment ago he was all into scrapping half the movie and starting it over with lizard men.
He will take any suggestion, internalize it, visualize it and unless someone stops him - he will try to implement it in the movie.
ANY suggestion.
When there IS someone there to rationally explain how that is a bad idea, we get a flawed movie that could have been a masterpiece - like The Legend.
When there is no one to do that, so he hires and listens to a talentless hack - we get Prometheus.