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Comment Re:9.1 (Score 1) 1009

Compared to Windows 3.1, Win 95 was also great.

NT4 was awesome, so long as you didn't install poor quality device drivers that would cause a BSOD. It was way better than any of the consumer Win95,98,ME versions out at the same time. Win2K was also awesome.

Comment Re:Euro-blindness incoming (Score 1) 295

Bullshit. I hate driving in N. America: the head-lights are dim, but what really annoys me is how many people have them poorly adjusted. The worst culprits seem to be pick-ups with their lights askew causing in particular a lot of dazzling from mirrors which I rarely get in Europe. Many European countries allow brighter lights, but they also require them to be be shielded in a specific way. For instance, the annual MOT test that all vehicles over three years old in the UK must pass explicitly checks light alignment to ensure that other drivers aren't dazzled.

Comment Re:Why VP9? (Score 1) 255

Wow, and it has a much worse encoding speed. x264 is a slow AVC encoder, and the reference HEVC HM10 encoder is horrendous and probably an order or two magnitude slower than third party implementations. Hard to justify VP9 for commercial content producers (it will cost more to deliver lower quality content).

Comment Re:60fps (Score 1) 255

4K only becomes interesting if you want to have a bigger screen. I think sitting close to an enormous screen is more immersive than other fads like 3D and more interesting from that perspective than higher frame rates. Then again, I don't want an enormous TV in my living room that ends up being the first thing people use.

Comment Re:DASH still sucks (Score 1) 255

YouTube isn't meant for downloading, so suck it up; you're in a very small minority. DASH is awesome because we finally have an industry standard way of delivering adaptive streams. Well, it has some complications in being a little bit too generic but but a lot of the industry is going the same way now.

Comment Re:What's wrong with typing? (Score 1) 77

Everything's wrong with it! I was complaining to somebody just today about how shit Skype can be, whilst we were on a conference call and the person who was running it had dialled in via Skype. Laptops like to have the mic near the keyboard, and this person was talking notes and updating some documents at the same time as splitting our ear drums. Get a f*****g headset people, and everybody else: learn how to mute if you're not talking.

Comment Re:Turnip lanterns + US invades Scotland via Engla (Score 1) 273

Don't stereotype all of us south of the border in the same way. Hallowe'en seems pretty irrelevant where I live in west London. Having lived in the US and Canada from the age of 19 to 35, coming home I was astounded at how big Guy Fawkes Night is, with my re-introduction being a massive mid-week gathering on Clapham Common for fireworks and then a late on the beers. Maybe there is some interest in Hallowe'en in middle class child-rich suburbia, but it's nothing compared with N. America or the traditional British/English events. Quite frankly I'm looking forward to the anarchy, pyromania and chaos of the annual blood-thirsty torching of Guy Fawkes. Hallowe'en OTOH just seems childish, as seemingly do the adults that partake in it. Thank f*** there's nobody at the office today in a stupid costume: I didn't have to be rude.

Music

Open Well-Tempered Clavier: a Kickstarter Campaign For Open Source Bach 70

rDouglass writes "The Open Goldberg Variations team has launched a new project to make an open source, public domain version of J.S. Bach's Well-Tempered Clavier. The work is significant because of its enormous influence on musicians and composers throughout history. A new studio recording, a new digital MuseScore score (with support for MusicXML and MIDI), as well as all source materials (multitrack WAV, lossless FLAC) will be provided as libre and gratis downloads. New to the project are publisher GRIN Verlag, as well as record label PARMA Recordings. GRIN and PARMA will produce and distribute the physical score and double CD, even though the digital versions are to be widely available and in the public domain. Their enthusiasm for the project runs counter to the general publishing and music industry's fear of digital file sharing, and shows growing momentum for finding new models to make free music commercially sustainable."

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