Follow Slashdot blog updates by subscribing to our blog RSS feed

 



Forgot your password?
typodupeerror

Submission Summary: 0 pending, 40 declined, 33 accepted (73 total, 45.21% accepted)

×
Science

Submission + - Artificial self-healing skin can sense touch (sciencemag.org)

thomst writes: Science Magazines's Tim Wogan reports that chemical engineer Zhenan Bao of Stanford University in Palo Alto, California, and her team have increased the conductivity of a self-healing polymer by incorporating nickel atoms. The polymer they have produced is sensitive to applied forces like pressure and torsion (twisting) because such forces alter the distance between the nickel atoms, changing the electrical resistance of the polymer. Their work is published online in the November 1 issue of Nature Nanotechnology (abstract here, full article paywalled). Now Bao and her team are working on making the polymer more flexible.
Apple

Submission + - Judge to review whether foreman in Apple v. Samsung hid info (cnet.com)

thomst writes: Cnet's Greg Sandoval is reporting that Lucy Koh the Federal judge in the Apple v. Samsung patent infringement case is reviewing whether jury foreman Velvin Hogan failed to disclose his own patent suit v. Seagate during the jury selection process. Samsung, which lost the suit filed by Apple has complained that Hogan's failure to disclose his own status as a former patent case plaintiff constituted misconduct serious enough to invalidate the jury's verdict in the case.
Censorship

Submission + - Google Says It Won't 'Manually' Review YouTube Vids for Infringement (wired.com) 1

thomst writes: David Kravets of Wired's Threat Level blog reports that Google has clarified its change in policy on automatic takedowns of YouTube videos for copyright infringement. On Wednesday, Thabet Alfishawi, rights management product manager for YouTube, said in a blog post that Google had "improved the algorithms that identify potentially invalid claims. We stop these claims from automatically affecting user videos and place them in a queue to be manually reviewed.” In its clarification, Google now says that videos flagged by its Content ID algorithm will be placed in a queue for "content owners" to review, if they decide to do so. In other words, the "manual review" is entirely optional, and the review, if any, will be done by the "content owner", rather than by Google itself — all of which begs the classic question, "Quis custodiet ipsos custodes?"
Google

Submission + - Google Gives Up Fair-Use Defense, Settles Book-Scanning Lawsuit With Publishers (wired.com)

thomst writes: David Kravets of Wired's Threat Level blog reports that McGraw-Hill, Pearson Education, Penguin Group, John Wiley & Sons and Simon & Shuster have struck a deal to end those companies' lawsuit against Google for copyright infringement for its Google Books search service. Kravets reports that Andi Sporkin, a spokesperson for the publishers has said they've "agreed to disagree" on Google's assertion that its scanning of books in university libraries (and making up to 20% of the scanned content available in search results) was protected by the fair use defense against copyright infringement. The terms of the deal are secret, but the result is that the companies in question have dropped their lawsuit against Google. However, the Authors Guild lawsuit against Google on the same grounds is still stuck in the appeals process, after U.S. District Judge Denny Chin rejected a proposed settlement of the suit in 2011, on the grounds that its treatment of so-called "orphaned works" amounted to making new copyright law — a power he insisted only Congress could exercise.
Youtube

Submission + - YouTube Alters Copyright Algorithms, Will 'Manually' Review Some Claims (wired.com)

thomst writes: David Kravets of Wired's Threat Level blog reports that Google's Thabet Alfishawi has announced YouTube will alter its algorithms "that identify potentially invalid claims. We stop these claims from automatically affecting user videos and place them in a queue to be manually reviewed.” YouTube's Content ID algorithms have notably misfired in recent months, resulting in video streams as disparate as Curiosity's Mars landing and Michelle Obama's Democratic Convention speech being taken offline on specious copyright infringement grounds. Kravets states, "Under the new rules announced Wednesday, however, if the uploader challenges the match, the alleged rights holder must abandon the claim or file an official takedown notice under the Digital Millennium Copyright Act." (A false takedown claim under the DMCA can result in non-trivial legal liability.)
Censorship

Submission + - The Algorithmic Copyright Cops: Streaming Video's Robotic Overlords (wired.com)

thomst writes: Geeta Dayal of Wired's Threat Level blog posts an interesting report about bot-mediated automatic takedowns of streaming video. He mentions the interruption of Michelle Obama's speech at the DNC, and the blocking of NASA's coverage of Mars rover Curiosity's landing by a Scripps News Service bot, but the story really drills down on the abrupt disappearance of the Hugo Award's live stream of Neil Gaiman's acceptance speech for his Doctor Who script. (Apparently the trigger was a brief clip from the Doctor Who episode itself, despite the fact that it was clearly a case of fair use.) Dayal points the finger at Vobile, whose content-blocking technology was used by Ustream, which hosted the derailed coverage of the Hugos. The good news — such as it is — is that Ustream has apparently suspended their use of Vobile's software. Vobile isn't the only player in the content-cop software space, and Dayal's article includes links to Vobile, Attributor, Audible Magic, and Gracenote (but ALL the links in the article go through contextly.com, so you'll need to enable scripts from contextly to get to the actual web sites in question — boo, Wired).
Censorship

Submission + - YouTube Flags Democrats' Convention Video on Copyright Grounds (wired.com)

thomst writes: Ryan Singel of Wired's Threat Level blog reports that the livestream of Michelle Obama's speech at the Democratic National Convention was blocked by Youtube after a bogus claim of copyright infringement was lodged — almost undoubtedly by Youtube's own copyright bot, acting pre-emptively on behalf of its big-media advertising clients.
Television

Submission + - What's Wrong with American Ninja Warrior

thomst writes: What’s Wrong with American Ninja Warrior

by Thom Stark

I’ve been a fan of the program the G4 channel calls “Ninja Warrior” since I first encountered it in mid-2005. For those who are unfamiliar with the show, it’s a re-edited-for-American-TV version of a Japanese show called “Sasuke”, with often-snarky English commentary and graphics overlaid on the Japanese original. “Ninja Warrior” is a fast-paced, wildly-entertaining program in which 100 contestants of varying skill levels pit themselves against a 4-stage obstacle course that grows ever more fiendishly difficult with each passing season. There’ve been 27 such seasons to date, and the most current incarnation is has become so incredibly taxing that Batman himself would have trouble completing it.

Now G4 has teamed up with its corporate parent, NBCUniversal to bring the world’s toughest obstacle course to America, and the resulting show, “American Ninja Warrior” turns out to be distinctly inferior to its Japanese progenitor. Tonight, July 9, 2012, is the final broadcast in a series that has run for six previous weekly installments, with segments on both G4 and NBC; and I thought it was fitting that I mark the occasion with a critique of what I believe to be “American Ninja Warrior”’s fatal philosophical and production missteps, and contrast them with the original pitch-perfect product.

First, it’s important to understand that the Japanese program’s name has nothing to do with either ninjas or warriors. “Sasuke” means something like “excellence” in Japanese. It has much the same flavor as the Greek concept of arete, the pursuit of excellence as a defining life goal. G4's marketeers clearly decided that their ADHD-addled core audience of video gamers was unlikely to find a show called “Excellence” compelling enough to warrant paying attention, so they decided to jazz it up by invoking ninjas, instead. Oh, and warriors, too, to make it more appealing to the World of Warcraft fanatics. And that was fine, as far as it went, because G4 had the good sense not to mess with the program content itself (other than poorly to translate much of the Japanese-language commentary, again in an apparent attempt to inject some good ol’ American zazz).

As a side note, commentary is not the only translational sin of which G4 is guilty. The competition takes place at Midoriyama, a Japanese place name that G4 insists on referring to as “Mount Midoriyama”. The problem with that is that “yama” is a Japanese suffix meaning “mountain”. Thus, “Fujiyama” means “Mount Fuji” and “Midoriyama” means “Mount Midori” — which, in turn, means that G4's translation is not only redundant, with its repeating of the word “mountain” in both English and Japanese, it’s wildly inaccurate, because the Japanese word means “Mount Midori”.

But I digress.

“American Ninja Warrior” — the strictly-domestic production — suffers badly from human interest bloat. The Japanese program (at least as it is presented on G4) frequently features mini-portraits of the competitors, but these segments are very short — typically under 20 seconds — and they help to put a human face on the often-superhuman efforts of the program’s contenders. In “American Ninja Warrior”, the corresponding segments too often are near-epic mini-documentaries that run a minute or longer, and they seriously impair the program’s flow — especially because there are so flinkin’ many of them. The producers badly need to rein in their out-of-control bathos machinery and reduce both the number and the running time of their athlete portraiture.

But the worst mistake that the brainiacs behind “American Ninja Warrior” have made is to Americanize the competition. The most endearing philosophical quality of “Sasuke” is that the participants compete, not against each other, but individually against the course itself. There is no zero-sum in the game of Sasuke. Should more than one contestant complete the nigh-impossible series of obstacles (an outcome that has never yet occurred on “Sasuke”), both would be equally celebrated, both would be equally entitled to claim the title of “winner”, and the accomplishment of one would in no way diminish the glory of the other. To the contrary, such an event would be cause for national celebration, since winners of “Sasuke” are considered national heroes in Japan.

By contrast, not only have the American producers chosen to have the participants compete against each other in regional qualifying events for a spot in the “finals” competition in Las Vegas (not an unreasonable choice, given that they needed to whittle the field down to a managable number of contestants for the trials at the actual Mount Midori course), but they’ve made it a zero-sum game. Like the Highlander, there can be only one American Ninja Warrior — which reduces the exalted pursuit of excellence to just another athletic competition, with the top prize of half-a-million dollars going to the one contestant who not only completes the course, but does so in the fastest time. Anyone else who makes it to the top of Mount Midori is, basically, just another chump. An also-ran. A footnote.

And that’s what’s really wrong with “American Ninja Warrior”.
Google

Submission + - Court Clears Samsung Galaxy Nexus For Sale But Patent Battle Continues (wired.com)

thomst writes: Nathan Olivarez-Giles of Wired reports the U.S. 6th Circuit Court of Appeals has overturned U.S. District Judge Lucy Koh's injunction banning the sale of Samsung's Galaxy Nexus in the U.S.. The Appeals Court's decision could be reversed on appeal (Apple is due to file its appeal on July 12), but, for now, the Galaxy Nexus is once again available for pre-order via the Google Play store.
Security

Submission + - Ask Slashdot: Can this Kickstarter project be rescued? (kickstarter.com)

thomst writes: "With just less than a week to go, it seems inevitable that the Kickstarter project for my post-nuclear-terrorism disaster novel American Sulla will fall well short of its funding goal. That's disappointing, because I thought I'd covered all the promotional bases: I created a web page that offers free, downloadable copies of a 38,000-word preview of the novel, I put the Kickstarter pitch video on Youtube, I uploaded a torrent to The Pirate Bay with the pitch video and the preview version of the novel in a variety of ebook formats, I set up a Facebook group, and, of course, I sent out an email announcing the project to all my friends and acquaintances. I even published the preview version of my novel as a $0.99 Kindle ebook on Amazon.com (where, thus far, two people have purchased copies, despite the fact that it's available directly from both my web site and The Pirate Bay for free).

So the question arises, "Can this project be rescued?" Or, to put it another way, "What have I overlooked?" Or even, "What did I do wrong — and is there any way for me to correct the error in time to save the project?"

This novel is important to me. I immodestly think it's decently well-written, and in it, I attempt to come to grips with some pretty important issues the events that followed the September 11, 2001 attack on the World Trade Center raised for me: the willingness (hell, the eagerness) of U.S. lawmakers to abdicate Constitutional protections in the name of national security, the metastatic growth of Executive Branch power, the ovine complacency of the American people, the legitimacy of resistence to these trends, and the influence of galloping conspiracy theorism, to name a few of the most prominent. At the same time, I'm doing my best to wrap my presentation of those issues in a tense, fast-paced, and (I hope) entertaining narrative.

So, I put it to you: can this project be rescued? And, if so, how?"

Moon

Submission + - Space Tourist Trips to the Moon May Fly on Recycled Spaceships (space.com)

thomst writes: Rob Coppinger of Space.com reports that UK-based private company Excalibur Almaz plans to offer commercial lunar-orbital tourist missions based on recycled Soviet-era Soyuz vehicle and Salyut space stations, using Hall Effect thrusters to power the ensemble from Earth orbit to the Moon and back. The company estimates ticket prices at $150 million per seat (with a 50% profit margin), and expects to sell about 30 of them. Excalibur Almaz has other big plans, too, including ISS crew transport, LaGrange Point scientific missions, and Lunar surface payload deliveries. It expects to launch its first tourist trip to the Moon in 2014.
Moon

Submission + - Nanoparticles found in moon glass bubbles explain weird lunar soil behaviour (qut.edu.au)

thomst writes: A team led by soils scientist Dr. Marek Zbik of Queensland University of Technology has discovered that samples of Moon dust contain nanoparticles that may explain the dust's notoriously strange properties. Moon dust is famously abrasive, sticky, and subject to puzzlingly-high electrostatic charges that cause it to remain suspended above the lunar surface for long periods of time, despite the virtual absence of any atmosphere on the satellite's surface. Dr. Zbik examined a sample of the dust via synchrotron-based nano-tomography, which uses high-energy X-rays to produce 3-D images of nano-scale particles. Dr. Zbik discovered that Moon dust includes a large number of glass "vesicles" or bubbles that contain interior networks of nanoparticles. He theorizes that, when the vesicles are ruptured by micrometeorite impacts, the nanoparticles are released, producing a mixture of "regular" lunar dust and nano-dust over time. According to Dr. Zbik, it's the nano-dust component that accounts for Moon dust's unusual properties, because nano-scale particles are small enough that their behavior is partially determined by the laws of quantum physics, rather than the Newtonian physics that govern larger-scale structures. The team's article in ISRN Astronomy and Astrophysics explains the technical details of the study, and Dr. Zbik has posted a 3-D video of a fractured lunar regolith vesicle on Youtube, as well.
Science

Submission + - Old Branch on the Tree of Life Newly Discovered (livescience.com)

thomst writes: LiveScience writer Jennifer Welsh reports that a group of Norwegian researchers has discovered a single-celled organism that shares almost none of its genetic structure with any of the currently-known kingdoms (animals, plants, fungi, algae and protists) of life on Earth. Their study, first published in the January 6, 2012 in the online edition of Molecular Biology and Evolution (the abstract of revision 3 of "Collodictyon—An Ancient Lineage in the Tree of Eukaryotes" is available here, the full text is paywalled), compared the organism's genetic structure with data from hundreds of molecular biology databases around the world, and discovered only one partial match with an organism from Tibet. Welsh quotes study researcher Dag Klaveness, of the University of Oslo as saying, "We are surprised" at the uniqueness of the species, adding, "It is conceivable that only a few other species exist in this family branch of the tree of life, which has survived all the many hundreds of millions of years since the eukaryote species appeared on Earth for the first time." The researchers think the organism, called Collodictyon, could be the progenitor of both amoebas and protists (each members of a different eukaryotic kingdom), with which it shares some physical characteristics. "So far we know of no other group of organisms that descend from closer to the roots of the tree of life than this species," study researcher Kamran Shalchian-Tabrizi, also of the University of Oslo, in Norway, said in a statement.

Slashdot Top Deals

I tell them to turn to the study of mathematics, for it is only there that they might escape the lusts of the flesh. -- Thomas Mann, "The Magic Mountain"

Working...