These laws are toothless. "Must answer within 20 days"... or what? With no one held immediately culpable, the law is precisely meaningless.

Heard of anyone going to jail for this?

Heard of anyone paying a fine for this?

Even heard of anyone losing their job for this?

Compare: If you don't do something the government desires you to do, there will be consequences.

This is just like the constitution: "Highest law in the land" -- violate it -- as SCOTUS and congress have done over and over -- and the consequences? Nothing.

Just so you taxpayers know your place. The laws aren't for the government. Those are just laws "for show." The real laws are just for you. Because, you know, they care about you.

Yeah - what I meant is that if there was no corresponding capital gains hike, then the uber-rich would hardly even notice, since that's what most of their income tends to be.

It's not the human *touch* that people crave in a complicated interaction with a system. It's human *versatility*.

Thus more personnel does no good, if those personnel are rigidly controlled, lack information to advise or authority to act. The fact that they're also expected to be jolly and upbeat as they follow their rigid and unyielding rules only turns the interaction with them into a travesty of a social interaction.

What would work better is a well-designed check-in system that handles routine situations nearly all the time, along with a few personnel who have the training and authority to solve any passenger problems that come up.

I'm pretty sure birth control exists.

Was it a personal income tax, or a capital gains tax?

I suspect the latter, which would explain why the very richest were not actually bothered all that much.

How much do Kremlin astroturfers get paid?

And where exactly are you from? Some of the most accusatory reporting is coming from Europe.

> Btw. does anyone here remember the USS Vincennes?

Actually yes, I do. There were various discussions about at what point the crew knew they'd just shot down an airliner, or at what point they should have known that they were targeting one. There've even been various conspiracy theories that they knew it was an airliner all along and shot it down intentionally to kill someone or another who was onboard. But the US has always admitted that it was the one who shot down that airliner.

At no point has the US government tried to re-write history and disavow the blame by claiming that it not the US who pulled the trigger; but some bunch of locals who somehow managed to capture (and figure out how to operate) the Vincennes.

I feel like I just read a Soviet era Pravda article.

"And this picture we see the tin pot wearing Johnny Appleseed and distributing Spam to all the starving earthworms in the New York subway system."

Yes, direct. So are all people that I know. I don't think you can be a blue badge otherwise.

I can only go with the experience of my friends, who've gone both routes successfully.

It's true that traditional publishers expect mid-list authors to shoulder most of the promotion efforts these days. I never said they didn't. Fiction authors are now expected to maintain a platform, which used to be a non-fiction thing. Certainly traditional publishers have become more predatory and less supportive than they were twenty years ago. I don't have an inside track on why that is, but I suspect there are several causes. One is that POD allows publishers to make an reliable though modest profit from their mid-list authors, which ironically makes them more risk averse. But publishers still provide production and editing services on a MS that'd cost you maybe ten thousand dollars if you were contracting those services out. They also get your book in bricks-and-mortar bookstores, which is a bridge too far for most indy authors, even the successful ones.

A lot of the bad feeling that publishers get from indy authors comes from two sources. First, a long history with rejection. Second the lack of respect indy authors get relative to traditionally published authors. We can see it in this discussion elsewhere, where one poster puts "authors" in quotes when referring to indy authors. And it's easy to see why because most indy authors just aren't good enough to get traditionally published. *Some* indy authors put out a product that's every bit as good as the mid-list authors from the big publishing houses, but most just dump their terrible manuscripts on Amazon with a clip-art cover and no copy editing, much less developmental editing.

The statistic that most indy authors make their investment back plus 40% didn't impress me, because (a) that counts the author's labor as free and (b) most indy authors don't invest much cash in their projects. The percentage of indy authors that clear, say, five thousand dollars in profit are very small.

It's not that indy publishing doesn't have its points, and my traditionally published friends are certainly thinking about dipping their toe in the water. But it's not as cheap as it looks if you want a comparable product, and you give up certain things. I was in Manhattan recently and went to the 5th Avenue branch of the NYPL. My traditionally published friends' books were either on the shelves our out circulating. The NYPL had *none* of my indy author friends' books, even though at least one of them has made the New York Times best seller list.

I don't think it's as simple as Amazon is good or Amazon is evil. Amazon is powerful, and that needs watching.

Now I have a number writer friends, one of whom is published both with traditional imprints like TOR and with Amazon's new in-house publishing imprints. She has good things to say about Amazon's imprints, but one thing you have to take into account is that nobody will stock your book *but* Amazon if you publish with them. That's giving up a lot, so they treat authors reasonably well. But that doesn't mean the corporation actually cares about authors. Amazon needs reliable mid-list authors to make their publishing ventures a success, and by cutting out the middleman can afford generous royalties. But if Amazon succeeds in putting a stake in the heart of traditional publishing, I wouldn't care to speculate on what will happen to authors.

Nor should what traditional publishers do for authors be underestimated. I have friends who are successful indy writers, but it's not like being a writer, it's more like running a small publishing house yourself. They hire story editors, copy editors and artists, and manage promotion and publicity. It's a lot of work; that plus actually writing pretty much precludes a day job. It's not for everyone.

It's a lot like being an engineer. Engineers are smart people who usually have a lot of insight into the companies they work for, but that doesn't mean that most engineers want to run businesses. Some do, but most would rather have other people take care of that stuff so they can concentrate on what they feel they're best at.

Many writers choose the indy market because it's the only way they'll ever get published. They just dump their manuscript on the market without editing, design or promotion and hope for the best. They rarely succeed. Others choose the indy route because they thrive on running and controlling their own small business, the way some engineers step naturally into the role of entrepreneur. They're well positioned for the future. But most writers need support to reach their full potential.

How many of us have tried to do something and wished we had (at least) a third hand?

I would pay a *lot* for a third hand, as I do a lot of my own construction work (building an interior into an old church we now live in.)

I can't even guess at the number of times I've had to wait until I had someone at my side to hold, turn, twist, drill, cut, brace, etc.

This stuff is great to hear. Love the idea of extra fingers.

Although it does put me strangely in mind of that scene in Heavy Metal where a robot, after having "done" a very sexy human female, spins his fingers around with a "whiiizzz", while commenting something on the order of "human woman love sex with mechanical assistance" lol

For most programmers, recursion seems to be a tool to completely -- but unpredictably -- blow out the stack. Cynical, I know, but that's been my experience.

Although I gotta tell ya, one of my favorite recursive things is a particular area fill routine for rectangular pixels. Simple and beautiful. Just elegant as all get out. Once I understood how it does what it does, it was like someone washed my mental windshield with Windex. That was a great day. :)