Actually you bring up a good point. In general, the artists are no longer the copyright holders any more and RIAA typically owns the non-performance rights. This seems like an interference or restraint of trade in a lot of ways that RIAA might decide to pursue based on their natural predilections.
This is really about the batshit crazy/unreal structure of music copyright which separates artificially the source code, the executable and the execution as three separate chargeable entities. ASCAP "owns" the execution portion. RIAA generally "owns" the source and executable portions. This could blow the current static legal arrangements out of the water because you can't clearly separate all three as well on the intertubes which is why you have the issues with file sharing. It's a stupid system.
ASCAP is the entity that threatens Brownies, Blue Birds and Girl Scouts for singing songs to little grandmothers in nursing homes.
ASCAP also often demands performance fees from clubs or venues that play music that ASCAP doesn't even have a right to claim such as indie artists who write and perform their own original works and who still hold all copyrights themselves. I'm really hoping someday they cross the wrong indie artist who throws DMCA back at ASCAP for false claimed rights. Karma's a bitch and they have bad karma on back-order.
ASCAP is as evil, unprincipled and immoral as the RIAA any day of the week. It wouldn't bother me to see them self-destruct themselves in a war with RIAA or a suicide attack on Apple. You don't go up against the dominant distributor of your own product without expecting to come away without a severe limp afterward. Didn't they learn that with the early RIAA experience in the late 1940s? Or do they imagine Apple is somehow weak right now? Mental midgets down at ASCAP.