sympleko writes "Zynga has the lion's share of traffic in Facebook applications, and Mafia Wars is one of their most popular social games. Collapsing under the weight of over 26 million users, Zynga has been scrambling to thwart hard-core gamers who reverse-engineer URLs or script the game to optimize their enjoyment. Many of the workarounds have annoyed users who were accustomed to various game features, and even worse, the hastily-deployed changes have resulted in many players losing access to the game, in-game prizes, or statistics. Fed up with a software company seemingly bent on discouraging people from enjoying their product, a number of tagged players have organized a boycott of all Zynga games. The first 24-hour boycott on Sunday 12/13 resulted in an 11% decline in Daily Active Users, and an emergency thread on Zynga's forums (from which most of the flames were deleted). The current boycott, extending Wednesday through Sunday is being supported by a 428K strong Facebook group. At issue is the social contract between software companies and their devoted user base, as well as the nefarious tactics Zynga has used to raise cash."

altjira writes "Matt Blaze analyzes the implications of a recent Newsweek story on the Bush administration's use of the NSA for domestic spying on communications, and questions whether the lower legal threshold for the collection of communications metadata is giving away too much to the government: 'As electronic communication pervades more of our daily lives, transaction records — metadata — can reveal quite a bit about us, indeed often much more than a few out-of-context conversations might. Aggregated into databases with other people's records (or perhaps everyone's records) and analyzed by powerful software, metadata by itself can paint a remarkably detailed picture of connections, relationships, and other patterns that could never be recovered simply from listening to the conversations themselves.'"

Several readers pointed out a ComputerWorld UK blog piece on the expanding ripples of the Vista fiasco. Glyn Moody quotes an earlier Inquirer piece about Vista, which he notes "has been memorably described as DRM masquerading as an operating system": "Studies carried out by both Gartner and IDC have found that because older software is often incompatible with Vista, many consumers are opting for used computers with XP installed as a default, rather than buying an expensive new PC with Vista and downgrading. Big business, which typically thinks nothing about splashing out for newer, more up-to-date PCs, is also having trouble with Vista, with even firms like Intel noting XP would remain the dominant OS within the company for the foreseeable future." Moody continues: "What's really important about this is not so much that Vista is manifestly such a dog, but that the myth of upgrade inevitability has been destroyed. Companies have realized that they do have a choice — that they can simply say 'no.' From there, it's but a small step to realizing that they can also walk away from Windows completely, provided the alternatives offer sufficient data compatibility to make that move realistic."

We discussed the advent of Google's SearchWiki when it was introduced a few days back. Now Lauren Weinstein offers a thought experiment in transmitting coded messages using SearchWiki, with a working example encoded into the results of this Google search.

Jill Duffy writes "GameCareerGuide has posted an intellectual article about video games which argues there is no such thing as 'breaking the fourth wall' in games. Written by Matthew Weise, a lead game designer for the Singapore-MIT GAMBIT Game Lab, the article considers the complex relationship between video game players and characters. Weise says that, unlike in theater and film, video games don't ever really break the fourth wall, as it were, because in games, there is no wall. Players are always tethered to the technology, and the player is always just as much the main character as not the main character. Weise looks at both modern experimental games, like Mirror's Edge, as well as old classics, like Sonic the Hedgehog, to defend his point. He writes, 'Both avatars and the technological devices we use to control them are never simply in one reality. They are inherently liminal entities, contributing to a mindset that we, as players, exist in two realities at once. It's just as natural for a player to say, "I defeated that boss," as it is to say, "Snake defeated that boss," since Snake is and is not the player at the same time. It is likewise natural for a player to say, "I punched an enemy soldier," when in reality, she punched no one. All she did was press a button.'"

The NYTimes reports that Atlantic is the first major label to report getting a majority of its revenue from digital sales, not CDs. Analysts say that Atlantic is out in front — the industry as a whole isn't expected to hit the 50% mark until 2011. By 2013, music industry revenues will be 37% down from their 1999 levels (when Napster arrived on the scene), according to Forrester. "'It's not at all clear that digital economics can make up for the drop in physical,' said John Rose, a former executive at EMI ... Instead, the music industry is now hoping to find growth from a variety of other revenue streams it has not always had access to, like concert ticket sales and merchandise from artist tours. ... In virtually all... corners of the media world, executives are fighting to hold onto as much of their old business as possible while transitioning to digital — a difficult process that NBC Universal's chief executive ... has described as 'trading analog dollars for digital pennies.'"

NewYorkCountryLawyer writes "The RIAA, unhappy with the Court's decision setting aside its $222,000 jury verdict over $23.76 worth of song files, and throwing out the legal theory on which it was based, has made a motion for permission to file an appeal from the Judge's order, in Capitol v. Thomas. Normally, only final judgments are appealable, and appeals are not permissible in federal court from 'interlocutory' orders of that nature."

After the FCC's tests mentioned early last month, andy1307 submits word of the FCC's report (released Friday), writing that "the major telcos disagree with the FCC's report that concluded that using white spaces to provide free wireless internet 'would not cause major interference with other services. ... The FCC concluded that sufficient technical protections would prevent major problems.' FCC chairman Kevin Martin's proposal is to auction off the spectrum, with some rules attached. 'Some of the spectrum would be used for free Internet service, which would have content filters to block material considered inappropriate for children.'"

eldavojohn writes "The funny thing about the RIAA & BPI is that the artists are just as tired as the fans with how online music is being handled. So they're trying something new called the Featured Artists' Coalition. FAC's site states in their charter: 'We believe that all music artistes should control their destiny because ultimately it is their art and endeavors that create the pleasure and emotion enjoyed by so many.' As digital releases are increasing, the artists aren't seeing any more money. With the advent of online distribution, are the traditional music industry functions of promotion, samples, radio, and marketing now nothing but costly overhead for the artists? From Iron Maiden to Kate Nash to Radiohead, some big names are backing this new organization."