I guess Wikileaks does have to leak out government docs. One more thing...." The British music industry has called for a truce with the technology firms with whom it has till now fought a bitter battle over rights, royalties and file sharing.

Feargal Sharkey, CEO of lobby group UK Music, told a conference in London this week that it was time for the music and technology industries to set aside their differences and strive instead toward a common goal: nothing less than the total global domination of British music.

Sharkey, a campaigner against people copying music on the internet and the technology they use, said it had become apparent that technology and creativity were inseparable.

"It's now time for ISPs and tech companies to sit down together and possibly for the first time have a broad adult conversation. Our future is now totally dependent, totally entwined, totally symbiotic," he told an audience of industry, government and media at the Westminster Forum this morning....."

http://www.thinq.co.uk/2010/9/4/uk-music-calls-truce-technology/
Sharkey was on rousing form. The former pop star called dramatically for the mobilization of British music and technology producers: "By 2020. We. Want. To rival. The United States. As the largest. Source of repertoire. And artistry. In. The. World."

http://spectrum.ieee.org/aug07/5429 "You're listening to your favorite Pink Floyd CD on your home stereo when you accidentally hit the âoechange CDâ button on the control panel. All goes quiet for a bit as your CD player urgently shifts to play whatever is in the next tray. With dread, you desperately reach for the volume knob, but it's too lateâ"your speakers blast the latest Green Day album. Reacting like you were just pricked by a pin, your hand jolts to the volume knob and turns it down. You breathe a sigh of relief. But that's not the end of it. Ten minutes later you feel that something isn't right. Even though you love this album, you can't listen to it anymore. You shut it off, tired, puzzled, and confused. This always seems to happen when you switch from a classic album to a modern one. What you've just experienced is something called overcompression of the dynamic range. Welcome to the loudness war. The loudness war, what many audiophiles refer to as an assault on music (and ears), has been an open secret of the recording industry for nearly the past two decades and has garnered more attention in recent years as CDs have pushed the limits of loudness thanks to advances in digital technology. The âoewarâ refers to the competition among record companies to make louder and louder albums. But the loudness war could be doing more than simply pumping up the volume and angering aficionadosâ"it could be responsible for halting technological advances in sound quality for years to come. read more at The Future of Music Continued"

This what i believe is what the truth. Read all of it do not scan it!