Comment Re:Just a new complication. (Score 1) 250
I would say the album was an outgrowth of singles not only because it was more convenient for consumers & because pressing technology had matured to where you could reliably fit 45-60 minutes on a 12", but also because of the appeal it had for artists to tell a fuller 'story' for a while. 2-3 decades later it was used as a way to push as much music as possible in a format that was simple to mass produce and incredibly cheap (vinyl isn't as simple and certainly isn't as cheap to make/ship/stock.) As albums turned into more & more filler, people started turning to programmable CD changers and the like to have more ability to pick & choose just the material they wanted to hear, or in the order they want to hear etc.
Now that I can get get to that 30% that I want to hear without accepting the rest, and can carry around hundreds/thousands times more than I could with a CD book (and catalogue even vaster amounts at home) it doesn't follow that I'm only going to buy 30% of the music I used to. That's something these fat cat major labels have yet to figure out. I'm consuming more music than I ever have (and producing more as well!) but the money and attention is going to the people who can deliver what I'm looking for as quickly as possible, with reliable quality to me in a selection that suits my interests. Interestingly enough I DO still buy albums, though often in mp3/flac/mp4 format (and rarely of major label backed work), and I also buy more vinyl these days, both as a result of the my musical exploration in digital singles & online streaming music.
It seems to me that playlists for 'ripped' mp3's are a direct outgrowth of that (a maturing of the random access that CDs began to introduce to listeners), and our modern digital formats have been unencumbered from the 'filler' material used to justify propped up prices. Once you've been able to pick and choose (and for those not ethically opposed, sample things here & there before you buy) it's very hard to go 'back' to just accepting that you may only like a small percentage of the overall music you're buying when you considered purchases not by number of tracks but rather by the the packaging (CD/LP/EP/Tapes etc).
So this particular article (which was brief and had NO technical info about the format) reads as, is the studios said "hey in the early days of vinyl we went from singles to albums and made a bundle, we can't sell albums now but maybe if we turn the file format into an album the good days of old will return!" To the technoliterate it seems to be ignoring the fact that 1. you can easily package things into albums now using a cue file plus single compressed file with embedded artwork in the tagging is the easiest for a fully blended/mixed 'album', or of course just have a bunch of files in directories. But of course this is about PR, marketing and atttempts at restoring 'profit margins' (and if DRM laden, control.)
It seems like the encumbent tends to resist change, constantly trying to adapt existing marketing & formatting decisions by changing thigns as little as possible. The middlemen are disappearing, the amount of inexpensive gear available to your average 'home' artist & enthusiast mean that the bookings in studios are thinning out and fat cats aren't as necessary if you don't need to pay for 40 days of studio lockout time to be able to produce an 'album' anymore. So the whole era of largesse & slow return on investments is gone, fading with the fat cats now that you can put in a minor investment of time and yield incredibly fast delivery/turnaround on getting stuff into the market. Also it seems to me that live music is thriving more due to the variety of music in people's palette these days, although economically depressed there seems to be more activity now that promoting yourself & connecting to fans has the benefit of the online mediums.