frank_adrian314159 writes "David Lowery, musician (Cracker, Camper Van Beethoven), producer (Sparklehorse, Counting Crows), recording engineer (Archers of Loaf, Lamb of God), and geek (programmer, packet radio operator, ex-CBOT quant) talks about the economics of the music business and how the "old boss" — the record labels — have been replaced by the new boss — file downloading services, song streaming, and commercial online music stores. His take? Although the old boss was often unfair to artists, artists are making even less money under the new boss. Backed with fairly persuasive data, he shows that, under the new distribution model, artists — even small independent ones — are exposed to more risk while making less money. In addition, the old boss was investing in the creation of new music, while the new boss doesn't. This article is lengthy, but worth the attention of anyone interested in the future of music or music distribution."

quantr writes "The Supreme Court has declined to hear Joel Tenenbaum's appeal. A jury in 2009 ordered Tenenbaum, of Providence, R.I., to pay $675,000 for illegally downloading and sharing 30 songs. A federal judge called the penalty constitutionally excessive, but the 1st U.S. Circuit Court of Appeals reinstated it at the request of the Recording Industry Association of America. Tenenbaum's attorney, Harvard law professor Charles Nesson, said he's disappointed the high court won't hear the case. But he said the 1st Circuit instructed a judge to consider reducing the award without deciding any constitutional challenge. Nesson said 'Tenenbaum is just entering the job market and can't pay the penalty.'"

Gunkerty Jeb writes "After banning the word 'jailbreak' from its app store and music library, Apple [Friday] reversed course and again permits the term — slang for hacking into a device to download unauthorized content — to appear on iTunes and its App Store. On Thursday bloggers noticed Apple had censored the word, using the Thin Lizzy album 'Jailbreak' as an example. For awhile, the title was listed as 'J******k' in Apple's music library, at least its U.S. version. In other instances, digital content continued to bear the full name Jailbreak."

NewYorkCountryLawyer writes "Joel Tenenbaum has filed a reply brief in support of his petition for certiorari to the U.S. Supreme Court, in SONY BMG Music Entertainment v. Tenenbaum, trying to get the Court to take on the thorny issue of copyright statutory damages in the age of mp3 files and micropayments."

TheGift73 writes "The Russian based 'Pirate Pay' startup is promising the entertainment industry a pirate-free future. With help from Microsoft, the developers have built a system that claims to track and shut down the distribution of copyrighted works on BitTorrent. Their first project, carried out in collaboration with Walt Disney Studios and Sony Pictures, successfully stopped tens of thousands of downloads. Hollywood, software giants and the major music labels see BitTorrent as one of the largest threats to their business. Billions in revenue are lost each year, they claim. But not for long if the Russian based startup 'Pirate Pay' has its way. The company has developed a technology which allows them to attack existing BitTorrent swarms, making it impossible for people to share files."

fishmike writes "Online music storage firm MP3tunes, Inc filed for bankruptcy in a U.S. court, following its prolonged run-in with music publishing giant EMI Group over copyright issues, court filings showed. MP3tunes is a so-called cloud music service that lets users store music in online 'lockers.' Amazon.com Inc, Apple Inc and Google Inc have similar cloud services."

judgecorp writes "Anonymous launched a DDoS attack on Virgin Media, apparently in protest at Virgin's decision to block the Pirate Bay. Now the Pirate Bay has criticized Anonymous, saying it doesn't support DDoS as a form of protest. The statement is interesting, given that Anonymous has been attacking music industry sites and other targets for some years, saying it is in support of the Pirate Bay."

theodp writes "At Chicago's Billy Goat Tavern, construction workers found physical threats an effective way to discourage smart-ass Whitney Young High School students from playing annoying jukebox songs over and over again. But with Google's newly-patented technology for the Collaborative Rejection of Media for Physical Establishments, you no longer need to resort to violence to prevent Elton John Songs from being played on jukeboxes in bars. Its invention, boasts Google, 'enables customers of an establishment to collaboratively reject a media file that is currently playing and/or pending to be played within that establishment by entering data into a personal wireless portable computing device on their person, for example a cellular telephone.' But don't get your hopes up too high, kids. Much like Google's dual-tier stock plan, the patent calls for 'customer status levels including a premium status and a standard status,' so a premium customer will be able to veto attempts by lowly standard customers to kill his requests to play MC Hammer's 'Can't Touch This'. The patent comes from a quirky Outland Research IP portfolio acquired by Google; its inventor is Louis B. Rosenberg, a Stanford PhD and professional film maker."

Dangerous_Minds writes "Drew Wilson of ZeroPaid has an interesting look at file-sharing. It all started with a review of a Phoenix study that was used to promote SOPA. Wilson says that the study was long on wild claims and short on fact. While most writers would simply criticize the study and move on, Wilson took it a step further and looked in to what file-sharing studies have really been saying throughout the years. What he found was an impressive 19 of 20 studies not getting any coverage. He launched a large series detailing what these studies have to say on file-sharing. The first study suggests that file-sharing litigation was a failure. The second study said that p2p has no effect on music sales. The third study found that the RIAA suppresses innovation. The fourth study says that the MPAA has simply been trying to preserve its oligopoly. The fifth study says that even when one uses the methodology of one download means one lost sale, the losses amount to less than $2 per album. The studies, so far, are being posted on a daily basis and are certainly worth the read."

bonch writes "U.S. Immigration and Customs Enforcement seized a hip-hop website based on RIAA claims of copyright infringement for prerelease music tracks. They held it for a year before giving it back due to lack of evidence. Unsealed court records (PDF) show that the government was repeatedly given time extensions to build a case against Dajaz1.com, but the RIAA's evidence never came. The RIAA has declined to comment."

First time accepted submitter ElectronicHouseGrant writes "Freshman Derek Low rigged up his Berkeley dorm room with something he calls B.R.A.D., which is short for 'Berkeley Ridiculously Automated Dorm.' The room includes automated lighting, drapes, music, motion detection, and more. He can control everything through voice recognition, but a wireless remote, his iPhone and his iPad are also in on the control party. Derek started the install on February 4 and finished just a few days ago."

mcmadman writes "The multi-zone audio player I'm working with uses an almost decade old card/software combo that is prone to crashes and other anomalies. I would like to know if there are open source (read 'free') or other alternatives that would allow multiple simultaneous playlists played through the myriad of audio interfaces out there. The line outs are then plugged into a CobraNet matrix, which handles the distribution of the music/sound to their respective areas. I'm looking at eight channels minimum, timed playlist start/stops, and triggered announcements. So far the only software and hardware I've found are proprietary broadcasting solutions which tend to be a bit heavy on the wallet or meant for home use."

Barence writes "Five of Britain's biggest ISPs have been ordered to block access to The Pirate Bay. Sky, Everything Everywhere, TalkTalk, O2 and Virgin Media have been told to block access to the site. Britain's biggest ISP, BT, has been given a few further weeks to 'consider its position.' Music lobby group, the BPI, welcomed the move, saying music creators 'deserve to be paid for their work just like everyone else' and calling for those who use The Pirate Bay to illegally download content to 'explore the many digital music services operating ethically and legally in the UK.'"

New submitter elphie007 writes "Australian consumers may finally see the end of being overcharged for software simply because they live outside the U.S. Minister for Communications Senator Stephen Conroy (champion of Australia's National Broadband Network) is reported to be finalizing the terms of reference for a parliamentary inquiry into software pricing in Australia. Last week, Adobe announced Australians would be charged up to $1,600 more for Adobe CS6. With the ongoing strength of the Aussie dollar against the U.S. dollar, Australians should really be paying less, not more for software & music purchased online."

An anonymous reader writes "The Russians who put out fake versions of Angry Bird Space and Instagram for Android last week have competition. Biophilia, a musical experiment by Bjork into the world of apps, has been ported to Android as a Trojan." Maybe not totally surprising; as the submitter reader continues, "last year at the launch of the app, Bjork was quoted in an interview inviting pirates/hackers to attempt to port her code over from iPhone to other platforms."

Cleveland-based programmer Paul Schneider, better known both online and in person as Froggy, first organized Notacon after trips to HOPE and other hacker cons gave him the idea; there weren't any gatherings like it in Cleveland at the time, and attending HOPE cost more in money and time than many locals would have been willing to justify for a weekend. Froggy sensed there was a big enough community in Cleveland of hackers, musicians, artists and others to support one, though. So he wrangled space, put out the word, and lined up enough presentations to make it happen. Now, Notacon's been going on for nine years straight (and year 10 is already in the works). In that time, Froggy's developed some thoughts about how to pull off organizing a gathering that involves hundreds of people at a time — and not just any people, but ones with soldering guns, nerf guns, fencing sabers, a lot of electrical equipment, and sometimes (egads!) even children. Froggy is quick to credit the dozens of people — about 20 core staff, and others with smaller but important roles — who also take part in planning and running the conference. Finding hard-working, like-minded souls may be the most universal part of his advice on running a similar event; watch the video interview for more.

bs0d3 writes "From having a position in the development and support of ACTA, to implementation of HADOPI, to imposing an internet tax to pay for music; France has been at the forefront of anti-piracy legislation. This week, it has been announced that current President and anti-piracy advocate Nicolas Sarkozy is unlikely to win the next election. His leading opponent is a man named Francois Hollande. Hollande has in the past opposed both ACTA and HADOPI (France's 3 strikes law). Hollande believes that ACTA, 'originally intended to combat counterfeiting trade[,] was gradually diverted from its objective, in the utmost discretion and without any democratic process.' At the same time, Hollande is also strongly against piracy. 'Piracy has been costly,' Hollande said, 'but I do not think that law enforcement alone is the answer to the problem.' Will internet issues be of concern to the voters in France? It certainly is to the rest of us internet users."

suraj.sun sends this excerpt from Deutsche Welle: "YouTube was told by a regional court in Hamburg on Friday not to display seven out of 12 contested clips without permission from the German copyright fee collecting society Gema. Gema claimed that its members were losing money every time their music was being displayed on YouTube. A proper licensing fee between the two sides expired in 2009. The Hamburg State Court ruled YouTube would in future have to install an efficient mechanism to filter out such content uploaded by users or face a fine of up to 250,000 euros ($330,000) for each case, or up to six months imprisonment. Knowing that a foolproof filter system looks next to impossible, Gema is now hoping that Google will finally agree to a new bilateral licensing treaty whereby the collecting society would not get an annual lump sum for the contested videos, but a fixed fee each time copyright-protected videos are watched."

silentbrad writes, with bits and pieces from the Globe and Mail: "A number of Canadian media companies have joined forces to try to shut down a free music website recently launched by the Canadian Broadcasting Corp., claiming it threatens to ruin the music business for all of them. The group, which includes Quebecor Inc., Stingray Digital, Cogeco Cable Inc., the Jim Pattison Group and Golden West Radio, believes that CBCmusic.ca will siphon away listeners from their own services, including private radio stations and competing websites that sell streaming music for a fee. The coalition is expected to expand soon to include Rogers Communications Inc. and Corus Entertainment Inc., two of the largest owners of radio stations in Canada. It intends to file a formal complaint with the CRTC, arguing that the broadcaster has no right under its mandate to compete with the private broadcasters in the online music space. ... 'The only music that you can hear for free is when the birds sing,' said Stingray CEO Eric Boyko, whose company runs the Galaxie music app that charges users $4.99 a month for unlimited listening. 'There is a cost to everything, yet CBC does not seem to think that is true.' ... The companies argue they must charge customers to offset royalty costs which are triggered every time a song is played, while the CBC gets around the pay-per-click problem because it is considered a non-profit corporation. ... Media executives aren't the only ones who have expressed concern. When the CBC service was launched in February, the Society of Composers, Authors and Music Publishers said that when it set a flat fees for the more than 100,000 music publishers it represents, it never envisioned a constant stream of free music flooding the Internet."

Zothecula writes "Crowd-funding sites like Kickstarter have proven popular for groups and individuals looking to get a consumer product, movie, music or video game project off the ground. Now a group of researchers and scientists is adopting a similar crowd-funding model to raise money for scientific research projects. The Microryza website, which launched this week, lets the public get behind research they care about and maybe help it get out of the lab."