derekmead writes "Last week at Camp David, President Obama met up with fellow NATO leaders to discuss the road ahead in Afghanistan. Although no one there used the language of defeat, the implicit message was clear: the war has gone nowhere in the past few years and it's time to start packing up. Meanwhile, what raked in $25.5 million at the box office? Battleship. And who provided director Peter Berg with the war technology that beats the aliens? The U.S. military. He's not the only one: the past few years have seen an explosion of high-profile cooperation between the armed forces and the movie industry. If the most powerful armed force in history isn't winning in reality, it certainly is on the big screen. And like so many problematic aspects of late capitalism, the military-Hollywood complex has a grimly understandable logic."

theodp writes "Q. What do you get when you surround the image of Men in Black star Will Smith trying on sunglasses with a pitch for 'MIB Bill Smith Dark Shades'? A. U.S. Patent No. 8,180,688. 'Many people consume broadcast media such as television shows and movies for many hours a week,' Amazon explained to the USPTO in its patent application for a Computer-Readable Medium, System, and Method for Item Recommendations Based on Media Consumption. 'The consumed broadcast media may depict a variety of items during the course of the transmission, such as clothing, books, movies, accessories, electronics, and/or any other type of item.' So, does Amazon's spin on As Seen on TV advertising deserve a patent?"

benrothke writes "Elementary Information Security, based on its title, weight and page length, I assumed was filled with mindless screen shots of elementary information security topics, written with a large font, in order to jack up the page count. Such an approach is typical of far too many security books. With that, if there ever was a misnomer of title, Elementary Information Security is it." Read below for the rest of Ben's review

Sasayaki writes "Hugh Howey's Wool, the self-published sci-fi story that's made him the best selling Indie sci-fi author of 2012 and currently the best selling sci-fi author on Amazon.com, has found its way into the hands of Ridley Scott (director of Alien, Prometheus and others)... who loved it. Rumor is the Hollywood movie will be coming to cinemas in 2013 or 2014. With Fifty Shades of Grey and now Wool getting the attention of Hollywood, it's clear the self-publishing revolution is here to stay."

TheGift73 sends this excerpt from TorrentFreak: "Despite the widespread availability of pirated releases, The Avengers just scored a record-breaking $200 million opening weekend at the box office. While some are baffled to see that piracy failed to crush the movie's profits, it's really not that surprising. Claiming a camcorded copy of a movie seriously impacts box office attendance is the same as arguing that concert bootlegs stop people from seeing artists on stage. ... Of all the people who downloaded a pirate copy of the film about 20% came from the U.S. This means that roughly 100,000 Americans have downloaded a copy online through BitTorrent. Now, IF all these people bought a movie ticket instead then box office revenue would be just 0.5% higher. Not much of an impact, and even less when you consider that these 'pirates' do not all count as a lost sale."

bonch writes "Warner Bros. aired ten minutes of footage from The Hobbit at CinemaCon, and reactions have been mixed. The problem? Peter Jackson is filming the movie at 48 frames per second, twice the industry standard 24 frames per second, lending the film a '70s era BBC-video look.' However, if the negative response from film bloggers and theater owners is any indication, the way most people will see the movie is in standard 24fps."

nbauman writes "WW2 veteran 'Big Hy' Strachman, 92, pirated 300,000 DVD movies and sent them to soldiers in Afghanistan and Iraq, where they were widely distributed and deeply appreciated. Soldiers would gather around personal computers for movie nights, with mortars blasting in the background. 'It's reconnecting to everything you miss,' said one. Strachman received American flags, appreciative letters, and snapshots of soldiers holding up their DVDs. He spent about $30,000 of his own money. Strachman retired from his family's window and shade business in Manhattan in the 1990s. After his wife Harriet died in 2003, he spent sleepless nights on the Internet, and saw that soldiers were consistently asking for movie DVDs. He bought bootlegged disks for $5 in Penn Station, and then found a dealer at his local barbershop. He bought a $400 duplicater that made 7 copies at once, and mailed them 84 at a time, to Army Chaplains. The MPAA said they weren't aware of his operation. The studios send reel-to-reel films to the troops."

mikejuk writes with this excerpt from I Programmer: "A movie that features science and technology is always welcome, but is it not often we have one that focuses on computer science. Travelling Salesman is just such a rare movie. As you can guess from its name, it is about the Travelling Salesman problem, more precisely about the P=NP question. Written and directed by Timothy Lanzone, and produced by Fretboard Pictures, it should premiere on June 16. As the blurb to the movie trailer says: 'Travelling Salesman is an intellectual thriller about four of the world's smartest mathematicians hired by the U.S. government to solve the most elusive problem in computer science history — P vs. NP. The four have jointly created a "system" which could be the next major advancement for humanity or the downfall of society.'"

Technically Inept writes with the lead paragraph from a report at Comics Alliance: "To the best of my knowledge, Jorge Cham's Piled Higher and Deeper (better known as PhD Comics) is the first webcomic to be adapted into a feature-length film. After months spent on a college campus screening tour, Piled Higher and Deeper: The Movie is finally available for purchase and streaming. And, like its comic inspiration, the PhD pokes fun at the frustrations of graduate students, those noble folks who enter academia with dreams of changing the world and inspiring young minds, only to be thwarted by indifferent professors, lazy undergrads and the ever-present fear that they'll never graduate." The short review linked makes this sound like a very watchable movie.

TheSilentNumber writes "Bassam Kurdali's free culture 3D animation, Tube, is nearing the final stages of production. Tube is a collaborative effort between 56 artists from 22 countries — some of which are at war. After directing the first of the Blender Institute's 'Open Movie Projects,' Elephants Dream, Bassam wanted to prove the viability of free cultural works and usability of free software like Blender and PiTiVi for independent filmmakers. Just a few days after launching a Kickstarter campaign to raise funds for the project, the goal has been met, which means we should see the final release in seven months!"

An anonymous reader writes "When some of Hollywood's biggest movie and TV studios took Australian ISP iiNet to court in 2008 — accusing it of facilitating piracy — it focused the eyes of the world downunder. Internet users and media companies alike were keen to see if the courts could figure out how to resolve the ongoing battle caused by easy, and essentially illegal, access to copyrighted material. After three and a half years and a number of appeals the high court judgement comes down on Friday, but it already looks like a failed attempt to solve an impossible riddle."

raolin writes "I have been running without television service for the last few years, relying instead on Netflix Streaming, Hulu Plus, Amazon, and my personal video library. I have the latter indexed and easily searchable, but I have not managed to find a good aggregator for the streaming services that I use, so when I have friends over and the question 'Can we see X?' is asked, I have to search three streaming sources, which is kind of a drag. I know Netflix has a search API that I could work with, and it seems at least possible that Hulu and Amazon do as well, but before I try to build something myself I thought I'd ask the community. Any thoughts?"

MrSeb writes with ExtremeTech's account of how director (and deep sea explorer) James Cameron spent a reported $18 million converting his blockbuster movie, Titantic, to 3D. The article "looks at the primary way of managing depth in 3D films (parallax), how you add depth to a movie that was originally filmed in 2D, and some of the software (both computer and human-brain) difficulties that Cameron had to overcome in the more-than-two-year process to convert Titanic into 3D."

An anonymous reader writes "I was looking at multimedia players from brands such as SumVision, Noontec and Western Digital. They all seem to be some device which accepts a USB hard-drive and commands from an IR remote control, and throws the result over HDMI. I have my own idea of what a hardware multimedia player should do (e.g. a personalized library screen for episodes, movies and documentaries; resume play; loudness control; etc.). I also think it will a good programming adventure because I will have to make the player compatible with more than a few popular codecs. Is this an FPGA arena? Or a mini-linux tv-box? Any advice, books or starting point to suggest?" There certainly have been a lot of products and projects in this domain over the years, but what's the best place to start in the year 2012?

redletterdave writes "While the movie and music industries would have you think that torrents are a threat to their business, thousands of independent artists heartily disagree. That's why more than 5,000 musicians, actors, writers, filmmakers and artists have signed up to be promoted by The Pirate Bay, the world's largest torrent site. Earlier this year, following the seizures of many popular file-sharing domains like MegaUpload, The Pirate Bay introduced a new promotion platform for artists called 'The Promo Bay,' which let independent artists reach tens of millions of people by offering favorable advertising spots on the The Pirate Bay's homepage. The response to The Pirate Bay's promotion platform has been overwhelming: the company announced on Thursday that it has already received more than 5,000 applications, and has managed to be a quality platform for driving significant interest to independent artists."

suraj.sun writes "Netflix and Hulu are convincing millions of cable, satellite and telco subscribers to cut the cord and dive into video streaming. That's the conclusion of a new report released this week by the Convergence Consulting Group, which finds that 2.65 million Americans canceled TV subscriptions between 2008-2011 in favor of lower-cost internet subscription services or video platforms. Though Convergence co-founder Brahm Eiley projects that the number of people opting out of TV subscription services will begin to slow in 2012 and 2013. Part of the problem, Eiley argues, may be the rising price tag for streaming rights to programming which could cause fiscal fits for Netflix."

redletterdave writes about more movies being made available on Youtube's rental service. From the article: "Google announced a new deal with Paramount Pictures on Tuesday, which will make more than 500 movie titles available for rental on YouTube and the new Google Play platform. The deal was made even though Google is still embroiled in a four-year-old legal battle over copyrights with Paramount's parent company, Viacom. The latest deal means Google has rental deals with five of the six major Hollywood studios, including Paramount, Warner Bros., Disney, Universal Pictures, and Sony Pictures. The lone exception is 20th Century Fox, which is owned by Rupert Murdoch's News Corp. Google will only make these titles available for rent; the search giant has not yet made a decision to sell any movies it licenses, despite pressure from major Hollywood studios looking to compensate for poor DVD sales."

An anonymous reader writes "Variety is reporting that Ashton Kutcher – who you likely recognize from That 70s Show, Punked, and Two and a Half Men – has been tapped to play Apple co-founder Steve Jobs in an indie film titled 'Jobs', based on a script from Matt Whiteley. The film will chronicle Steve Jobs from wayward hippie to co-founder of Apple, where he became one of the most revered creative entrepreneurs of our time."

kodiaktau writes "An interesting article from the BBC News Magazine explores the reasons why most fantasy worlds use British as their primary accent. Citing specific examples from recent and upcoming shows and movies like Lord of The Rings, The Hobbit and Game of Thrones, the article concludes British accents are 'sufficiently exotic,' 'comprehensible' and have a 'splash of otherness.' It would be odd to think of a fantasy world having a New Jersey accent, or even a Mid-West accent, which tends to be the default for TV and movies in the U.S., but how do UK viewers feel about having British as a default? More specifically, what about the range of UK accents, like Scottish, Welsh, Cockney? The International Dialects of English Archive shows at least nine regional sounds, with dozens of sub-regional pronunciations in England alone. In the U.S., there have always been many regional accents that might be used in interesting ways. Filmmakers should consider looking at speech accents from other areas of the world to create more interesting dialects."

Nidi62 writes "We all know that Michael Bay loves to put 86 minutes of explosions into a 90-minute movie. But it appears that he has found a new way to screw up a movie. He is directing a Teenage Mutant Ninja Turtles reboot in which the turtles are not created with ooze: they are 'from an alien race, and they are going to be tough, edgy, funny and completely loveable.' No word yet on whether he's consulting with George Lucas on how to totally destroy the origin and essence of a classic story." Responding to criticism, Bay thoughtfully explained that fans need to "chill."