Remy Tumin reports via the New York Times: It was supposed to be what a fan described as a "loving homage" to his hero, the author J.R.R. Tolkien, and to "The Lord of the Rings," which he called "one of the most defining experiences of his life." A judge in California had another view. The fan, Demetrious Polychron of Santa Monica, Calif., violated copyright protections this year when he wrote and published a sequel to the epic "Rings" series, U.S. District Judge Stephen V. Wilson of the Central District of California ruled last week. In a summary judgment, Judge Wilson found "direct evidence of copying" and barred Polychron from further distributing the book or any others in a planned series. He also ordered Polychron to destroy all electronic and physical copies of the published work, "The Fellowship of the King," by Sunday. As of Wednesday, Amazon and Barnes & Noble were no longer listing the book for sale online. Steven Maier, a lawyer for the Tolkien estate, said the injunction was "an important success" for protecting Tolkien's work. "This case involved a serious infringement of The Lord of the Rings copyright, undertaken on a commercial basis," he said. "The estate hopes that the award of a permanent injunction and attorneys' fees will be sufficient to dissuade others who may have similar intentions."

Warner Bros. Pictures is revamping the "Lord of the Rings" film franchise. Variety reports: On a Thursday earnings call, Warner Bros. Discovery CEO David Zaslav announced that newly-installed studio leaders Mike De Luca and Pam Abdy have brokered a deal to make "multiple" films based on the beloved J. R. R. Tolkien books. The projects will be developed through WB label New Line Cinema. The first "Lord of the Rings" trilogy, helmed by Peter Jackson, grossed nearly $3 billion worldwide; Jackson's follow-up trilogy based on Tolkien's "The Hobbit" matched those grosses.

No filmmakers have been attached to the projects as yet, but in a statement to Variety, Jackson and his main "Lord of the Rings" collaborators Fran Walsh and Philippa Boyens said Warner Bros. and Embracer "have kept us in the loop every step of the way." "We look forward to speaking with them further to hear their vision for the franchise moving forward," Jackson, Walsh and Boyens said.

In J.R.R. Tolkein's The Two Towers, it's in Elrond's home city of Rivendell that Frodo chooses to destroy the ring of power.

And now Lego has created "a truly grand plastic-brick re-creation," reports CNET — costing $500 (£430, AU$800): The stronghold of the elves is a magical place, a sensation Lego managed to encapsulate in 6,167 pieces of plastic stretching 29.5 inches (75 centimeters) wide. "We know many of our fans have been anticipating a set like this for a long time — but a great Lego The Lord of the Rings set is never late, it arrives precisely when it means to!" said Lego design master Mike Psaiki in a statement Tuesday.

The colorful set is based on the design from the Peter Jackson movies. Lego's vision of Rivendell includes Frodo's bedroom, Elrond's study and the Council Ring where you can assemble the Fellowship. The rest of the set features an elven tower and a gazebo, river and bridge.... The set comes with a large cast of 15 minifigure characters, including Gandalf, Frodo, Samwise, Merry, Pippin, Legolas, Gimli and, of course, Elrond.

An anonymous reader quotes a report from Bloomberg: A good fall TV run comes to an end on Sunday when HBO airs its House of the Dragon season one finale, a week or so after Amazon wrapped up the first season of The Lord of the Rings: The Rings of Power. The shows aren't done yet providing content, though. Both Amazon and HBO offer companion podcasts to keep fans engaged, and both devised wildly different approaches for their audio. The podcasts offer behind-the-scenes chats with cast and crew and strive to become the definitive place to hear conversations around their respective programming. The shows' similarities end there, however.

HBO, for example, released three episodes of The Official Game of Thrones Podcast: House of the Dragon before the actual TV series aired, choosing to hype listeners up for the debut through an interview George R.R. Martin, as well as an "everything we know"-style show. Since then, the program has been released weekly alongside new episodes of the series on Sunday evenings. Michael Gluckstadt, director of podcasts for HBO and HBO Max, says the podcast will continue even after the series breaks between seasons. "There's no end date for this in sight," he said, which is atypical for podcasts the network has released in the past, including for Succession and The Gilded Age. [...] The podcast is available on all platforms, as well as on YouTube and the HBO Max app.

Meanwhile, Amazon didn't release any episodes of its The Official The Lord of the Rings: The Rings of Power Podcast until the season finale. Marshall Lewy, chief content officer at Amazon's Wondery, said the team wanted the streaming series to "speak for itself." Wondery has created companion podcasts before, namely for its own podcasts that were adapted for streaming, like Dr. Death and WeCrashed, but this marks the first time the team has worked in coordination with an Amazon series. "This is really our first opportunity to do a partnership like this connected to Prime Video," Lewy said. The podcast now receives front-and-center promotion ahead of each streaming video episode, which is the first time the coveted space has promoted something other than a Prime video series, he said. A promotion for The Official The Lord of the Rings: The Rings of Power Podcast that surfaces on Prime Video. The podcast is only available on Amazon Music, the Wondery app and Audible, a critical difference from HBO's strategy. Lewy said this decision made sense given that anyone watching the show is a Prime subscriber and can freely access Amazon Music. "The effort put into these podcasts not only speaks to the need to increase fan engagement with the programming but to create an ongoing dialogue with viewers so they don't drop off from season to season," writes Bloomberg's Ashley Carman. "A person's podcast time likely differs from their streaming time, which in theory minimizes the risk of cannibalizing the hours that viewers could be spending on other Amazon or HBO series."

"The video services want more than just sixty minutes of their viewers' attention once a week -- they want to be a part of their day and part of their conversations with friends for as long as possible."

Friday Amazon released the season finale for The Lord of the Rings: The Rings of Power. But Amazon's 8-episode first season "might have been best known for its extravagant price tag," jokes the Los Angeles Times. It ultimately cost $700 million — making it the most expensive TV show ever — and they note one viewer's assessment that "Visually, it's great. All the money in production shows..." (The Times' critic called it "visibly expensive.")

But can you quantify whether the show is good, great, or something out of Mordor? The Times cites reports that more than 100 million Amazon Prime viewers watched some part of the show (with the premier attracting 25 million viewers on its first day — a new record for the streaming service). Yet they also add that "It's no surprise that a long-gestating TV show based on the mythology behind a beloved fantasy series has garnered mixed reviews from audiences. (In the main, critics have been more positive, according to review aggregation sites like Rotten Tomatoes and Metacritic)."

And CNN is a little less charitable: After initial reviews admired the scope and visual grandeur, though, more critical voices have drifted into the naysaying column, pointing out — as the Daily Telegraph's Duncan Lay put it — that the series "managed to be both pretentious and boring." Forbes' Erik Kain sounded a similar note, writing that after the opening chapters, "The Rings of Power" has demonstrated "how quickly a badly written TV series can wear out its welcome once the shimmer fades."
But there's also this from Business Insider: Creators J.D. Payne and Patrick McKay promise that if viewers were disappointed with season one's story because they expected more Sauron, then they'll dig the second season, which started filming earlier this month. "There may well be viewers who are like, 'This is the story we were hoping to get in season one!,'" McKay told The Hollywood Reporter. "In season two, we're giving it to them."
Indeed, this season accomplished "the hard work of setting up who all those characters are," Amazon Studios head told Variety — possibly hinting again at that surprise reveal of Sauron in the season finale.

And according to The Hollywood Reporter, the show's creators have high hopes for its impact on Season Two: "There's something that Milton does in Paradise Lost that we talked about a lot. Where he makes Satan a really compelling character... Season one opens with: Who is Galadriel? Where did she come from? What did she suffer? Why is she driven?" says Payne. "We're doing the same thing with Sauron in season two. We'll fill in all the missing pieces."

"Sauron can now just be Sauron," McKay adds. "Like Tony Soprano or Walter White. He's evil, but complexly evil. We felt like if we did that in season one, he'd overshadow everything else. So the first season is like Batman Begins, and The Dark Knight is the next movie, with Sauron maneuvering out in the open."

The San Diego Comic-Con is "back in full force for the first time since 2019" reports the Associated Press. And Amazon's Prime Video used the occasion to unveil a lush new three-minute trailer for their upcoming series The Lord of the Rings: The Rings of Power. ("If the evil rising is left unchecked, it will take us all...")

Over the weekend it's already been viewed nearly 7 million times.

"Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," explains the video's description on YouTube. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone."

Comic-Con also hosted several panels on Amazon's Lord of the Rings series, including an 80-minute cast Q&A hosted by Patton Oswalt, Felicia Day, and Tiffany Smith. And the Associated Press reports that Stephen Colbert, "a self-proclaimed Tolkien fan, was also on hand to moderate a panel teasing the series on the fan convention's biggest stage," interviewing showrunners and executive producers J.D. Payne and Patrick McKay: The eight-part series will debut on Prime Video on Sept. 2, with new episodes arriving weekly. It is said to be the most expensive series ever made, with a reported budget of $465 million.... Jennifer Salke, the head of Amazon Studios, told The Hollywood Reporter last year that while the number is a "crazy headline that's fun to click on," "that is really building the infrastructure of what will sustain the whole series" which she called a "huge, world-building show."

Salke also said that a "giant, global audience needs to show up to it as appointment television" but that they were "pretty confident that will happen."
Five clips were also revealed to the Comic-Con audience and were "very well received by the crowd," reports USA Today. "They featured Galadriel and Elrond; Elrond and Durin getting ready for a friendly fight; hobbit ancestors the Harfoots; the Atlantis-like kingdom of Numenor; and an elves-versus-orcs battle." "It's a human story: We want you to take a step back and imagine your home .. and imagine that it's about to be taken away, that it's under threat," Payne said. "How far would you go" to protect that?"

When asked how they approached bringing characters to life that hadn't been described by Tolkien, Payne said, "We had the privilege of working with Tolkien scholars. Tolkien gave us all these amazing clues about characters in the Second Age. When Tolkien was silent, (we) try to invent things in as Tolkienian a way as possible." The producers and cast were quick to express respect and admiration for Jackson's films, but firm in their conviction that the show is something very different.

One important distinction was about dwarves. "We feel like dwarves are the butt of jokes, but we're going to take dwarves really seriously," Payne said.

"Moria, along with Hack (1984) and Larn (1986), is considered to be the first roguelike game, and the first to include a town level," according to Wikipedia.

And long-time Slashdot reader neoRUR remembers: At the dawn of the computer era there were some games that borrowed from Lord of the Rings and Dungeons & Dragons to create an experience like no other. It brought you into the world and you could be one of those characters, roam around, fight monsters, level up your characters. One of the more popular ones that would add to that was Moria (As in the Mines of Moria from Lord of the Rings) You quest was to kill the Balrog at the end.

This week one of the creators, Robert Alan Koeneke, who wrote Moria because he wanted a Rogue like game to play while at school at the University of Oklahoma, passed away. It has inspired many games and RPG's since.

I played Moria on the Amiga for hours and hours. His contributions to computer game history will always be remembered.
"Koeneke was working on version 5.0 of Moria when he left the university for a job," remembers NME, "though he made Moria open source so others could work on the project." In an email posted by Koeneke to a mailing list for Angband (a subsequent popular roguelike derived from Moria) in 1996, the developer reflected on his legacy.

"I have since received thousands of letters from all over the world from players telling about their exploits, and from administrators cursing the day I was born... I received mail from behind the iron curtain (while it was still standing) talking about the game on VAX's [an early range of computers] (which supposedly couldn't be there due to export laws). I used to have a map with pins for every letter I received, but I gave up on that...!"

While Koeneke never developed another video game, his influence on the gaming industry cannot be understated as his work directly inspired games like the Diablo series.

Those interested in playing the original Moria can do so here.

Monday Amazon posted a 15-second teaser trailer on Twitter for their upcoming Prime Video series The Lord of the Rings: the Rings of Power (premiering September 2nd) — drawing on two lavish one-minute trailers released earlier in the year.

"The first season of Amazon's show will be the most expensive season of television ever produced," reports IndieWire: Season 1 has a $465 million budget. Amazon Studios chief Jennifer Salke stated in May 2021 that she was "pretty confident" that the show will draw the required viewership to make the money worth spent.

Back in 2017, when it was reported that Amazon had bought the rights to "The Lord of the Rings" — winning a bidding war against Netflix — the number reported with that sale was $250 million. That number alone made it the most expensive television series ever, but later, The Hollywood Reporter reported that the whole series would end up costing more than $1 billion, due to production expenses (casting, producers, visual effects, etc.). "The Lord of the Rings" film trilogy's own Elijah Wood reacted to that particular figure during an interview, saying, "That's crazy to me." For context, the Peter Jackson trilogy grossed $2.92 billion worldwide. The combined budget for all three films was $281 million.

That $250 million rights deal for "The Lord of the Rings" also came with a five-season commitment for the series. A guaranteed five seasons should also guarantee at least one full story told from beginning to end, even though there's always the possibility of more, depending on the series' success. The deal also allowed for the potential of spin-off series, which could mean the potential for even more of Middle-earth outside just this adaptation. In November 2019, Deadline confirmed that Amazon had officially ordered a second season of the series and that it was already in the works. According to the report, the official early renewal means that there will be a shorter wait time between the first two seasons come release.

However, the series may not ever get out of the Second Age — which is, again, 3,441 years long, so it's got a lot to work with — as, according to Tolkien scholar and "The Lord of the Rings" consultant Tom Shippey, the estate of J.R.R. Tolkien has refused to grant Amazon permission to film anything other than the Second Age, as to not alter the history of the more fleshed out Third Age. "But you can add new characters and ask a lot of questions..."
The tagline of the newly-released trailer? "Nothing is evil...in the beginning."

In 2019 Shippey was quoted as saying the first season would have either 20 episodes or 22 episodes, though this year Amazon said a number "hasn't been officially announced."

And there's one other thing we know. There will be orcs (and some of their backstory), according to IGN's exclusive interview with the show's executive producer — and the head of its prosthetic department.

Electronic Arts and Middle-earth Enterprises "announced on Monday an upcoming free mobile game called The Lord of the Rings: Heroes of Middle-earth," reports CNET: With the role-playing game, Lord of the Rings fans can look forward to experiencing the iconic universe in a whole new way.... The game will feature immersive storytelling with iconic plot lines, turn-based combat and a selection of characters from both The Lord of the Rings and The Hobbit to battle the evils of Middle-earth.

"The team is filled with fans of The Lord of the Rings and The Hobbit and each day they bring their tremendous passion and talents together to deliver an authentic experience for players," Malachi Boyle, vice president of mobile RPG for Electronic Arts, said in a statement. "The combination of high-fidelity graphics, cinematic animations, and stylized art immerses players in the fantasy of Middle-earth where they'll go head-to-head with their favorite characters."

The site GeekyTyrant is excited about Amazon's upcoming eight-episode series The Lord of the Rings: The Rings of Power — premiering September 2 and set in Middle-earth's "Second Age," thousands of years before the events of The Hobbit and The Lord Of The Rings.) With the film being set in a completely different age, I was expecting Middle-Earth to be very different than what we've seen in the past. As we've seen in the first trailer that was released, the show does has a similar visual style as Peter Jackson's films, but things are definitely going to be different.

During a recent interview with Empire, Rings Of Power concept artist John Howe, teased some of the surprises that are in store:

"This isn't the Middle-earth you remember. This is a world that's very vibrant. The elves are not hidden away in Mirkwood or lingering in Rivendell. They're busy constructing kingdoms. The dwarven kingdom of Moria is not an abandoned mine and the Grey Havens is not yet an abandoned city. I loved having the opportunity to explore that unseen history."

He went on to share that the series will finally explore the oceans of Middle-Earth and says that there will be a set of seafaring elves.
Or, as Amazon's press release puts it, The Lord of the Rings: The Rings of Power "will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien's pen threatened to cover all the world in darkness...."

The Independent notes the show "has been in the works since 2017" — and that Prime Video bought the rights for $250m (£183m). And now Prime Video has even invited some JRR Tolkien fans to attent a preview screening of the show: [F]ans of Middle Earth were nervous ahead of sitting down to watch footage from the show — but those nerves soon made way for excitement, with fans praising the series as well as the showrunners, JD Payne and Patrick McKay.... Fan Dr Maggie Parke said that the showrunners "kept up with the best of us", stating: "Their passion & knowledge made me feel like they were one of us, they get it. I'm feeling very optimistic...!"
The newspaper quotes another preview attendee's conclusion that ""We, as Tolkien fans, are in good hands! Above and beyond, I was absolutely blown away. I cannot wait to see more — it's just beyond words."

"One couple's recent nuptials in the virtual world known as the metaverse showcase the possibilities of having a wedding unfettered by the bounds of reality," writes Steven Kurutz via The New York Times. An anonymous reader shares an excerpt from the report: Traci and Dave Gagnon met in the cloud, so it only made sense that their wedding took place in it. On Labor Day weekend, the couple -- or rather, their digital avatars -- held a ceremony staged by Virbela, a company that builds virtual environments for work, learning and events. Ms. Gagnon's avatar was walked down the aisle by the avatar of her close friend. Mr. Gagnon's avatar watched as his buddy's avatar ambled up to the stage and delivered a toast. And 7-year-old twin avatars (the ring bearer and flower girl) danced at the reception. How the immersive virtual world known as the metaverse, which few of us understand, will change the traditional wedding is, at the moment, anyone's guess. But the possibilities of having an event unfettered by the bounds of reality are interesting enough to consider.

Like a ceremony within a video game, though, it is important to note that any weddings that occur solely in the metaverse are currently not legal. (Even virtual weddings by videoconference, which many states allowed during the height of the pandemic shutdowns, have since been outlawed in New York State and elsewhere.) Still, the metaverse will take these virtual celebrations much, much further, experts say, and offer almost boundless possibilities to couples.

The Gagnons had a hybrid wedding of sorts. The couple were married in person Sept. 4 at Atkinson Resort & Country Club in New Hampshire, where they live, in a ceremony officiated by David Oleary, a friend and colleague of theirs ordained by the Universal Life Church, while simultaneously hosting a virtual ceremony in Virbela. They live-streamed their nuptials for those who could not be there in person. Guests of the virtual ceremony attended via a computer, which required downloading software and then creating an avatar. The events team and software engineers at Virbela, which staged the Gagnons' wedding in the metaverse, incorporated personalized details and images of their in-person wedding venue into the virtual ceremony.

One of Amazon's most anticipated originals to date, a yet-unnamed Lord of the Rings original series, will officially debut on Prime Video on Friday, September 2nd, 2022. The Verge reports: Along with a premiere date, Amazon Studios released an official first image from the forthcoming series, which will be set in Middle-earth's Second Age. The series will take place thousands of years before the events chronicled in J. R. R. Tolkien's The Hobbit and The Lord of the Rings books, and it will follow characters "both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth."

The image release is tied to the series's production wrap after filming in New Zealand. Fans quickly speculated that the series will be set in Valinor, as the image depicts what appear to be the Two Trees. The untitled project is a huge investment by Amazon in its Prime Video streaming service. The series's first season alone reportedly cost around $465 million to produce. For context about what a massive creative undertaking this series has been for Amazon Studios, the final season of Game of Thrones was reported to have cost as much as $15 million per episode (though its budget was originally around $5 million per episode).

cold fjord writes: Sir Ian Holm, a classically trained actor celebrated for his interpretations of Shakespeare, and with an astonishing range of work in important science fiction and fantasy films, has died at age 88. Holm's depiction of King Lear was celebrated, and he brought Puck to life in "A Midsummer Night's Dream." But most people on Slashdot will remember him for a few other roles, such as Bilbo Baggins, in the "Lord of the Rings" trilogy, and two of the "Hobbit" movies. Holm also appeared in "Alien" as the android Ash, as Napoleon in "Time Bandits," and Cornelius in "The Fifth Element." Holm received a Tony Award in 1967, a Laurence Olivier Award for Best Actor in 1998, a BAFTA Award for Best Actor in a Supporting Role in 1981, and was nominated for an Academy Award for his role in Chariots of Fire. Holm received royal honors in 1989 and 1998.

Christopher Tolkien, the son of Lord Of The Rings author JRR Tolkien who was responsible for editing and publishing much of his father's work, has died aged 95. The Tolkien Society released a short statement on Twitter to confirm the news. The Guardian reports: Tolkien, who was born in Leeds in 1924, was the third and youngest son of the revered fantasy author and his wife Edith. He grew up listening to his fathers tales of Bilbo Baggins, which later became the children's fantasy novel, The Hobbit. He drew many of the original maps detailing the world of Middle Earth for his father's The Lord of the Rings when the series was first published between 1954 and 55. He also edited much of his father's posthumously published work following his death in 1973. Since 1975 he had lived in France with Baillie.

In an interview with the Guardian in 2012, Christopher's son Simon described the enormity of the task after his grandfather died with so much material still unpublished. Simon said: "He had produced this huge output that covered everything from the history of the gods to the history of the people he called the Silmarils -- that was his great work but it had never seen the light of day despite his best efforts to get it published." His son was left to sift through the files and notebooks and over the two decades after his father's death, he published The Silmarillion, Unfinished Tales, Beren And Luthien and The History of Middle-earth, which fleshed out the complex world of elves and dwarves created by his father.

New submitter mikaere writes: The New Zealand Herald reports that Amazon will base their upcoming Lord of the Rings TV series in West Auckland (home to fantasy series such as Hercules, Xena: Warrior Princess,Legend of the Seeker and The Chronicles of Shannara. The article mentions that Sir Peter Jackson may have some involvement, and it is likely that iconic locales, such as Queenstown, could be used for location shoots as they were in the original screen trilogy. As for how much the Amazon LOTR production would cost, a local industry insider suggested it could have a $3 billion price tag. Actual filming for the TV show is not expected to begin until 2020.

An anonymous reader quotes CNET: J.R.R. Tolkien fans can get their hands on what might be the late author's final work. The Fall of Gondolin was published August 30 by Houghton Mifflin Harcourt in the US and HarperCollins in the UK. J.R.R. Tolkien died in 1973, but since his death, his son Christopher, now 93, has edited a number of his father's works, including this one. The book tells of the founding of the Elven city of Gondolin, and is considered one of Tolkien's Lost Tales... The Fall of Gondolin follows another posthumously published Lost Tale, The Tale of Beren and Luthien, which came out in 2017. At the time, many expected that book to be J.R.R. Tolkien's final published work. Christopher Tolkien even wrote in its preface that it was "(presumptively) my last book in the long series of my father's writings." But now, Entertainment Weekly reports, Christopher Tolkien has written that "The Fall of Gondolin is indubitably the last."

The book is illustrated by Alan Lee, who has illustrated numerous Tolkien books, and along with Grant Major and Dan Hennah won an Oscar for best art direction for the 2003 film, The Lord of the Rings: The Return of the King.
The Washington Post includes the book's description of a "hideous mechanical army" deployed in battle against Gondolin, and summarizes the book's plot. "In short, the evil overlord Morgoth -- called Melko here -- seeks to dominate the entire world, but the hidden elvish city of Gondolin remains out of his grasp."

"We are reminded that Tolkien first drafted this story while in the hospital recuperating from the Battle of the Somme."

Palantir, a data-mining company created by Peter Thiel, is aiding government agencies by tracking American citizens using the War on Terror, Bloomberg reports. From the report: The company's engineers and products don't do any spying themselves; they're more like a spy's brain, collecting and analyzing information that's fed in from the hands, eyes, nose, and ears. The software combs through disparate data sources -- financial documents, airline reservations, cellphone records, social media postings -- and searches for connections that human analysts might miss. It then presents the linkages in colorful, easy-to-interpret graphics that look like spider webs.

[...] The U.S. Department of Health and Human Services uses Palantir to detect Medicare fraud. The FBI uses it in criminal probes. The Department of Homeland Security deploys it to screen air travelers and keep tabs on immigrants. Police and sheriff's departments in New York, New Orleans, Chicago, and Los Angeles have also used it, frequently ensnaring in the digital dragnet people who aren't suspected of committing any crime.

An anonymous reader quotes The Verge: Amazon Studios has been looking for a way to duplicate HBO's success with Game of Thrones, and the company may have found a solution: adapting J.R.R. Tolkien's The Lord of the Rings into a TV series. Variety reports that the company is currently in talks with Warner Bros. Television and the late author's estate, and while discussions are said to be in "very early stages," it is clearly a high priority, with Amazon CEO Jeff Bezos himself involved in the negotiations.

Amazon isn't the only one looking into the rights, according to Deadline, which reports that the Tolkien Estate is looking to sell the television rights to the iconic fantasy series to the tune of $200-250 million, and has approached Netflix and HBO as well. There appears to be some strings attached: the rights might not encompass all of the characters in the story. HBO has reportedly passed on the project.
"We can hear the pitch now," jokes The Verge. "It's like Game of Thrones, only with a series of books that are actually finished."

HughPickens.com writes: Everyone seems to agree that the key to the success of Peter Jackson's Lord Of The Rings trilogy was years of careful planning before production ever began. Now Bryan Bishop writes at The Verge that in what can only be described as the most honest promotional video of all time, we find out why the Hobbit trilogy turned out to be such a boring mess. In the clip, Peter Jackson, Andy Serkis, and other production personnel confess that due to the director changeover — del Toro left the project after nearly two years of pre-production — Jackson hit the ground running, but was never able to hit the reset button to get time to establish his own vision. Once the new director was hired, the harried crew members had to scramble to redesign everything to suit Jackson's vision, but they could barely even keep up with the production schedule, let alone prepare anything in advance.

At some junctures in the process, Jackson found himself essentially having to improvise on set because there was nothing really prepared for his actors to do. "You're going on to a set and you're winging it, you've got these massively complicated scenes, no storyboards and you're making it up there and then on the spot," said Jackson. "I spent most of The Hobbit feeling like I was not on top of it."

But wait: "Peter has never made a secret of the fact that he took over the Hobbit directing job with very little preparation time remaining before shooting had to begin. It was a challenge he willingly took on. His comments are an honest reflection of his own personal feelings at times during the movie's production," says a spokesman for Jackson. "Somebody has decided to create this cut-down, using only the sections of The Gathering Clouds that discuss the difficulties faced, not the positive ways they were addressed and overcome – which are also covered in this and other featurettes."

Esther Schindler writes: In addition to writing the story of The Lord of the Rings, Tolkien drew it. The maps and sketches he made while drafting it "informed his storytelling, allowing him to test narrative ideas and illustrate scenes he needed to capture in words," reports Ethan Gilsdorf at Wired. "For Tolkien, the art of writing and the art of drawing were inextricably intertwined."

It's all coming out in a new book, but here we get a sneak preview, along with several cool observations, such as: "If Tolkien's nerdy use of graph paper feels like a secret message to future Dungeons & Dragons players, then so does his 'Plan of Shelob's lair.' Tolkien's map of tunnels stocked with nasties—here, a spider named Shelob—would be right at home in any Dungeon Master's campaign notes. He even marks the place for a classic dungeon crawl feature: 'trap.'"