Nate the greatest (2261802) writes "Here in the US it is legal to resell your MP3s on Redigi, and thanks to the UsedSoft decision you can resell downloaded software in Europe. But if you want to resell your ebooks you had better act fast. Tom Kabinet launched last week in the Netherlands to offer a marketplace for used ebooks, and it is already getting legal threats. The Dutch Trade Publishers Association (GAU) says that the site is committing piracy and if it doesn't shut down the GAU plans to take it to court. Citing a ruling from a German court, secretary general of the GAU Martijn David said that the question of legality had already been settled. Would anyone care to place a bet on whether the site is still in operation in 6 months?"
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A while ago you had the chance to ask programmer and open source advocate Bruce Perens about the future of open source, its role in government, and a number of other questions. Below you'll find his answers and an update on what he's doing now.
jfruh writes: "For many tech-savvy folks, it may come as surprise that physical media like DVD and Blu-Ray still generate more movie revenue than streaming services. But PriceWaterhouse Coopers is predicting that the the lines will cross in 2017 as physical media sales and rentals decline; already, fully half of those revenues come from supermarket Redbox kiosks. Still, there are signs that physical media won't vanish entirely, including the obsessive needs of collectors and the music industry's increasing suspicions of digital sales."
An anonymous reader writes "Netflix yesterday furthered its plans to ditch Silverlight for HTML5 on Macs, having already done so last year in IE11 on Windows 8.1. HTML5 video is now supported by Netflix in Safari on OS X Yosemite, meaning you can stream your favorite movies and TV shows without having to install any plugins." Courtesy of encrypted media extensions.
An anonymous reader writes "NVIDIA's latest rare open-source contribution is adding Gallium3D support for the Tegra K1 SoC to the Nouveau Mesa driver. After they added support for the Tegra K1's 'GK20A' Kepler GPU to the Nouveau DRM kernel driver, it was just a small step to get it working with the Gallium3D user-space code as it builds upon work done by the Nouveau developers earlier with reverse-engineering the existing Kepler GeForce graphics cards. When it comes to desktop graphics, NVIDIA is still predominantly pushing their proprietary Linux driver but they have begun contributing hardware and information to Nouveau developers."
Today marked the launch of Watch Dogs, a highly-anticipated action-adventure game from Ubisoft. Early reviews for the game are fairly good, but not without complaints. Eurogamer said, 'Combat encounters also draw inspiration from existing games, with slightly stiff but workable sneaking and cover mechanics and decent if unremarkable gunplay. ... There's a sense of sterility beneath the surface, though. As dazzling as the game can look, this Chicago feels like a place you travel through rather than a world you inhabit. Pedestrians gasp and gawp at car crashes, but exhibit no real life.' Polygon's review complimented the bits of structure within the open-world game: "More than any stealth game I can think of, Watch Dogs does a remarkable job in allowing for proper preparation. It creates a universal environment of constant puzzle solving, which sits cozily next to all the action on display." Rock, Paper, Shotgun added, "It feels churlish to complain about something which is only magical 90% of the time, but in some things, ten percent can seep out and render the rest infuriating and useless." It's worth noting that some users are running into problems even playing game, thanks to authentication issues with Ubisoft's UPlay digital distribution service.
An anonymous reader writes "Sci-fi author Charles Stross has a post providing insight into Amazon's recent bullying tactics against a major book publishing group. He puts the fight into perspective for the two most important parts of the book market: author and reader. He says: 'Amazon's strategy (as I noted in 2012) is to squat on the distribution channel, artificially subsidize the price of ebooks ("dumping" or predatory pricing) to get consumers hooked, rely on DRM on the walled garden of the Kindle store to lock consumers onto their platform, and then to use their monopsony buying power to grab the publishers' share of the profits. If you're a consumer, in the short term this is good news: it means you get cheap books. But if you're a reader, you probably like to read new books. By driving down the unit revenue, Amazon makes it really hard for publishers—who are a proxy for authors—to turn a profit. Eventually they go out of business, leaving just Amazon as a monopoly distribution channel retailing the output of an atomized cloud of highly vulnerable self-employed piece-workers like myself. At which point the screws can be tightened indefinitely. And after a while, there will be no more Charlie Stross novels because I will be unable to earn a living and will have to go find a paying job. TL:DR; Amazon's strategy against Hachette is that of a bullying combine the size of WalMart leaning on a much smaller supplier. And the smaller supplier in turn relies on really small suppliers like me. It's anti-author, and in the long term it will deprive you of the books you want to read.'"
An anonymous reader writes "10 years ago the copyright police at the DVD CCA sued Kaleidescape for creating movie servers that (allegedly in breach of contract) allowed customers to copy their DVDs onto a hard drive. Yesterday, a California court announced the was voluntarily dismissed. 'Kaleidescape has always maintained that the DVD CCA contracts express no such prohibitions. In any case, Kaleidescape servers make bit-for-bit copies so that the digital rights management (DRM) provisions of CSS are preserved. The legal imbroglio with the DVD CCA has forced Kaleidescape to impose burdens on its customers and its engineers while offshore companies like AnyDVD and the U.S. manufacturers that employ their legally untouchable software proceed with impunity.' Is there a broader implication for DRM? Not really."
JimLynch (684194) writes "Mozilla has been in the news quite a lot over the last few months. This time the organization is being hammered by open source advocates for adding Adobe DRM to Firefox. But did the folks at Mozilla really have a choice when it comes adding DRM? An open source project like Mozilla is not immune to market pressures. And with so many competing browsers such as Chrome adding DRM for Netflix, etc. how could Firefox avoid adding it? Is it realistic to think that Firefox can simply ignore such things? I don't think so and the reason why is in Firefox's usage numbers over the last few years."
New submitter ptr_88 writes: "The Free Software Foundation has opposed Mozilla's move to support DRM in the Firefox browser, partnering with Adobe to do so. The FSF said, '[We're] deeply disappointed in Mozilla's announcement. The decision compromises important principles in order to alleviate misguided fears about loss of browser market share. It allies Mozilla with a company hostile to the free software movement and to Mozilla's own fundamental ideals. ... We recognize that Mozilla is doing this reluctantly, and we trust these words coming from Mozilla much more than we do when they come from Microsoft or Amazon. At the same time, nearly everyone who implements DRM says they are forced to do it, and this lack of accountability is how the practice sustains itself.'"
New submitter jvp (27996) writes "Adobe's authentication system for its Creative Cloud as well as its website services is down, and has been since Wednesday (14 May) afternoon. What this means: If you're a Creative Cloud subscriber, you can't log into your account via the desktop application. Online services such as the fonts are not available. Applications (eg: Photoshop, Premiere, etc) will continue to work. Softpedia has a nice article on it, but their time frames are off quite a bit." As of this writing, a message on the Adobe Creative Cloud page says "Creative Cloud is currently undergoing maintenance. Please check back later. Thank you for your patience." Even though I've come to like some remote-hosted software, like gmail, I don't think I'd want tools for manipulating local media tied even loosely to the uptime of a remote computer (or network connection).
An anonymous reader writes "Last year the W3C approved the inclusion of DRM in future HTML revisions. It's called Encrypted Media Extensions, and it was not well received by the web community. Nevertheless, it had the support of several major browser makers, and now Mozilla CTO Andreas Gal has a post explaining how Firefox will be implementing EME. He says, 'This is a difficult and uncomfortable step for us given our vision of a completely open Web, but it also gives us the opportunity to actually shape the DRM space and be an advocate for our users and their rights in this debate. ... From the security perspective, for Mozilla it is essential that all code in the browser is open so that users and security researchers can see and audit the code. DRM systems explicitly rely on the source code not being available. In addition, DRM systems also often have unfavorable privacy properties. ... Firefox does not load this module directly. Instead, we wrap it into an open-source sandbox. In our implementation, the CDM will have no access to the user's hard drive or the network. Instead, the sandbox will provide the CDM only with communication mechanism with Firefox for receiving encrypted data and for displaying the results.'"
An anonymous reader writes "Engadget takes a look at smart gun technology currently available and what the future might hold. From the article: 'While the idea of a gun that couldn't be turned on its owner seems like an obvious win for everyone involved, there are a number of problems with the concept. Chief among those worries: the safety mechanism will fail when it's needed most. If you're relying on a weapon for defense, the last thing you want is another avenue for failure. Electronics aren't perfect. Sometimes cameras can't autofocus. Cable boxes freeze up when browsing the channel guide. The equivalent, seemingly small glitch in a smart gun could be the difference between life and death.'"
netbuzz writes: "The worst of DRM is set to infest law school casebooks. One publisher, AspenLaw, wants students to pay $200 for a bound casebook, but at the end of class they have to give it back. Aspen is touting this arrangement as a great deal because the buyer will get an electronic version and assorted online goodies once they return the actual book. But they must return the book. Law professors and the Electronic Frontier Foundation are calling it nothing but a cynical attempt to undermine used book sales, as well as the first sale doctrine that protects used bookstores and libraries."
Lucas123 (935744) writes "Sony has warned investors that it expects to take a hit on expected earnings (PDF), due in part to the fact that demand for Blu-ray Disc media is contracting faster than anticipated. In two weeks, Sony will announce its financial results. The company expects to post a net loss. Sony's warning is in line with other industry indicators, such as a report released earlier this year by Generator Research showed revenue from DVD and Blu-ray sales will likely decrease by 38% over the next four years. By comparison, online movie revenue is expected to grow 260% from $3.5 billion this year to $12.7 billion in 2018, the report states. Paul Gray, director of TV Electronics & Europe TV Research at market research firm DisplaySearch, said consumers are now accustomed to the instant availability of online media, and 'the idea of buying a physical copy seems quaint if you're under 25.'" Especially when those copies come with awful DRM.
Rambo Tribble (1273454) writes "Jeffrey Katzenberg, the head of Dreamworks Animation, speaking at the Milken Global Conference in California, opined that the future pricing model for movie downloads will revolve around screen size. In his view, larger screens will incur larger download prices. As he says, 'It will reinvent the enterprise of movies.' Unclear is how physical dimensions, rather than just resolution matrix, will be determined. Will we soon be saying 'hello' to screen spoofing?" Can you fake the physical dimensions reported in the EDID block when the connection is using HDCP? Aside from the implication that this would mean more DRM (and seems pretty unworkable, but with the rise of locked bootloaders on even x86 hardware...), the prices he predicts seem alright: "A movie screen will be $15. A 75-inch TV will be $4. A smartphone will be $1.99."
New submitter electronic convict writes: "Hulu, apparently worried that too many non-U.S. residents are using cheap VPN services to watch its U.S. programming, has started blocking IP address ranges belonging to known VPN services. Hulu didn't announce the ban, but users of the affected VPNs are getting this message: 'Based on your IP-address, we noticed that you are trying to access Hulu through an anonymous proxy tool. Hulu is not currently available outside the U.S. If you're in the U.S. you'll need to disable your anonymizer to access videos on Hulu.' Hulu may make Hollywood happy by temporarily locking out foreign users — at least until they find new VPN providers. But in so doing it's now forcing its U.S. customers to sacrifice their privacy and even to risk insecure connections. Hulu hasn't even implemented SSL on its site."
An anonymous reader writes "This article goes into the making of upcoming fantasy title The Witcher 3. The studio, CD Projekt Red, reveals that, unusually, it'll be releasing the game as a DRM-free download. 'We believe that DRM does more harm to legit gamers than good for the gaming industry, that's why the game will also be completely DRM-free,' says the game's level designer, Miles Tost. The game will build on the strengths of The Witcher 2 while attempting to broaden its scope. 'We want to combine the strong pull of closed-world RPGs story-wise, with a world where you can go anywhere and do anything you want.'"
Bennett Haselton writes: "If you watch a movie or TV show (legally) on your mobile device while away from your home network, it's usually by streaming it on a data plan. This consumes an enormous amount of a scarce resource (data bundled with your cell phone provider's data plan), most of it unnecessarily, since many of those users could have downloaded the movie in advance on their home broadband connection — if it weren't for pointless DRM restrictions." Read on for the rest of Bennett's thoughts.