An anonymous reader writes: At the beginning of August the Blender Institute released Cosmos Laundromat: First Cycle, its seventh open project. More than just a 10-minute short film, Cosmos Laundromat is the Blender Institute's most ambitious project, a pilot for the first fully free and open animated feature film. In his article on Opensource.com animator and open source advocate Jason van Gumster highlights the film project and takes a look at some of its most significant contributions to the Blender open source project.
An anonymous reader writes: A Canadian record label specializing in public domain releases has filed a complaint with the Competition Tribunal over alleged anti-competitive conduct by Universal, Sony, and host of other music industry leaders. The complaint tells a fascinating behind-the-scenes tale, with the recording industry doing everything in its powers — including posting false reviews, pressuring distributors, and lobbying for changes to the law — to stop the sale of competing public domain records.
An anonymous reader writes: The torrent-based video streaming software Popcorn Time has been in the news lately as multiple entities have initiated legal action over its use. Now, 16 Oregon-based Comcast subscribers have been targeted for their torrenting of the movie Survivor. The attorney who filed the lawsuit (PDF) says his client, Survivor Productions Inc., doesn't plan to seek any more than the minimum $750 fine, and that their goal is to "deter infringement." The lawsuit against these Popcorn Time users was accompanied by 12 other lawsuits targeting individuals who acquired copies of the movie using more typical torrenting practices.
An anonymous reader writes: Netflix revealed in a blog post that it will not renew its contract with Epix, meaning you won't be able to watch movies like The Hunger Games and World War Z through the service anymore. With the increase in cord-cutters and more original content, Netflix is positioning itself to be like any other TV channel (one that owns its own distribution model) and is betting that customers won't miss the Epix content. Chief Content Officer Ted Sarandos says, "While many of these movies are popular, they are also widely available on cable and other subscription platforms at the same time as they are on Netflix and subject to the same drawn out licensing periods."
New submitter JamesA writes: Wes Craven, the famed writer-director of horror films known for the Nightmare on Elm Street and Scream movies, died Sunday after a battle with brain cancer. He was 76. Though he's far less known as a novelist than for his various horror film jobs (writer, director, producer, actor ...), Craven also wrote a few books; I can't vouch for "Coming of Rage," but "Fountain Society" is pretty solid speculative fiction. Wikipedia notes that Craven also "designed the Halloween 2008 logo for Google, and was the second celebrity personality to take over the YouTube homepage on Halloween."
An anonymous reader writes: Entertainment Weekly reports that Amazon Studios is developing a TV show based on Galaxy Quest, the 1999 film that parodied classic sci-fi shows like Star Trek. In the movie, actors for a Trek-like show were conscripted by real aliens to help run a starship and negotiate peace with a mortal enemy. The actors had no idea what to do, of course, and ended up getting help from the most rabid fans of their show. The new TV show is still in early stages of development. It's unlikely that the original Galaxy Quest cast will return — it starred Tim Allen, Sigourney Weaver, Alan Rickman, and Sam Rockwell, to name a few. However, several important members of the production crew will return: "The film's co-writer Robert Gordon will pen the script and executive produce the pilot. The film's director Dean Parisot will direct and executive produce. And executive producers Mark Johnson and Melissa Bernstein are on board as well." The show is a ways off, yet — they haven't even been greenlit for a pilot episode — but it'd be a welcome addition to today's sci-fi TV offerings
v3rgEz writes: As a cable channel, the FCC has little to no jurisdiction over HBO's content. That doesn't stop people from complaining to them about them, however, and after a FOIA request, the FCC released numerous complaints regarding the network's Game of Thrones. While there were the usual and expected lamentations about 'open homosexual sex acts,' other users saw Game of Thrones as a flashpoint in the war of Net Neutrality.
v3rgEz writes: The FBI followed Ray Bradbury's career very closely, in part because an informant warned them that his writing was not enjoyable fantasy, but rather tantamount to psychological warfare. "The general aim of these science fiction writers is to frighten the people into a state of paralysis or psychological incompetence bordering on hysteria," the informant warned. "Which would make it very possible to conduct a Third World War in which the American people would believe could not be won since their morale had seriously been destroyed."
An anonymous reader writes: You may remember way back in April there was a bit of a kerfuffle over the nominees for the Hugo Awards being "too conservative" based on a voting campaign organized by a group of science fiction fans who wanted to promote hard science fiction over more recent nominees. This was spun as conservatives "ruining" a "progressive" award. The question was left: would the final voters of the Hugo awards accept these nominees, or just take their ball home and refuse to give out anyway awards at all? The votes are in and we know the answer now: they'd rather just not give out any awards. (Wired has a slightly different slant on the process as well as the outcome of this year's awards.)
An anonymous reader writes: A relative of mine has been hinting that he'd like me to take over his model railroad collection in the event of his death (or even before that, to make this a bit less morbid-sounding). I'm intrigued by the idea, because I've been interested in model railroads for years, but too commitment shy and too transient to actually start a collection. That's changed enough that I'd like to start planning a train system, and am looking for advice from people who have been at it for a while. A couple of parameters: 1) I'm only interested for now in HO-scale stuff, so I am not all that interested in the relative merits of the other kinds, cool as they might be. 2) Related, I am somewhat less interested in the rolling stock than I am in the construction and control of the track and surrounding landscape. Interested in learning from experienced model railroad enthusiasts what lessons you've learned over the years that would be useful for a newbie, especially if you've made some cool automation for your system, or have built extensive support structures. This includes negative lessons, too, if you've overloaded circuits or floorboards. I'd *like* to integrate some interesting sensors and control systems, and I see some interesting open source software for this. So: What advice would you give to a late-start railroader? For reference: this set-up may end up living in an unfinished suburban basement.
imac.usr writes: I recently rewatched the Stonecutters episode of The Simpsons and laughed as always at the scene where Homer pulls into his parking space — right next to his house. It's such a great little comic moment. This time, though, it occurred to me that someone probably wrote in to complain that the power plant was normally in a completely different part of town, no doubt adding "I really hope somebody got fired for that blunder." And that got me to wondering: how do creators of serial media — books, web comics, TV shows, even movie serials — record their various continuities? Is there a story bible with the information, or a database of people/places/things, or even something scribbled on a 3x5 card. I know Slashdot is full of artists who must deal with this issue on a regular basis, so I'd be interested in hearing any perspectives on how (or even if) you manage it.
An anonymous reader writes: On October 2, movie audiences will get to see Ridley Scott's adaptation of Andy Weir's brilliant sci-fi novel The Martian, about a near-future astronaut who gets left for dead on the planet Mars. (Official trailer.) Both book and film are rooted in actual science, and NASA has now posted a list of technologies featured in the movie that either already exist, or are in development. For example, the Mars rover: "On Earth today, NASA is working to prepare for every encounter with the Multi-Mission Space Exploration Vehicle (MMSEV). The MMSEV has been used in NASA's analog mission projects to help solve problems that the agency is aware of and to reveal some that may be hidden. The technologies are developed to be versatile enough to support missions to an asteroid, Mars, its moons and other missions in the future." They also show off their efforts to develop water reclamation, gardens in space, and oxygen recovery.
Mickeycaskill writes: South African startup Bozza has grand ambitions of becoming a trusted platform for pan-African music, video and poetry, with artists keeping 70 percent of revenues. Whereas Netflix and Spotify can deliver high quality streams to users in North America and Europe with superfast fixed and 4G connections, 50 percent of Bozza's traffic comes from feature phones. Data compression technology and transcoding techniques try and keep costs down, while Africa's mobile market is much less app-centric. Bozza founder Emma Kaye explains how she plans to help turn Bozza into a major medium platform.
An anonymous reader writes with another story about Popcorn Time, after yesterday's report that two Danes were arrested for sharing information about how to use it. From the article at BGR: Often described as 'Netflix for pirates,' Popcorn Time users are now being targeted for infringement. The makers of a film called The Cobbler recently initiated a lawsuit against 11 Popcorn Time users in Oregon for copying and distributing the aforementioned film without authorization. The Cobbler, in case you're unfamiliar, stars Adam Sandler and was released in early 2015 to tepid reviews. "Tepid" is putting it nicely.
An anonymous reader writes: Nintendo's line of amiibo figurines are coveted by fans and collectors, even scalpers and robbers, with some harder to come by models fetching high sums on auction sites. But as a new article points out, every model suffers from similar technical drawbacks when it comes to interacting with the Japanese games giant's Wii U and 3DS consoles: there is currently only one game for instance that uses the write function of each figure's NFC chip, rather than simply reading it. But if there were more, Nintendo would be faced with another problem: where to store the data for each, since amiibo can currently only store one title's data at a time. The company may be looking to solve some of these issues with its upcoming NX system, but will it be too little too late?